13 Hours: The Secret Soldiers Of Benghazi

Based on the 2014 historical action book by American author Mitchell Zuckoff 13 Hours is film based around the events of an attack by Islamist militants on an American diplomatic compound in Benghazi, Libya on September 11, 2012 and looks at the event from the view of six members of a security team working in a nearby CIA outpost that supposedly doesn’t exist.

When a US ambassador Chris Stevens (Matt Letscher) is scheduled to visit the compound the security team inspect the area and are appalled to see a complete lack of protection on offer and when they learn that the supposed secret visit is to take place on the anniversary of the 9/11 attacks and is actually public knowledge to the immensely dangerous and unstable local populous they voice their concerns to their boss ‘The Chief’ (David Costabile) but he is dismissive in reminding the security team that they are here to protect the base and not the compound but when the inevitable attack occurs the security team decide to take matters into their own hands and attempt to rescue Stevens highlighting the fact that they are in the area which in turns the enemy eyes in their direction.

All the leads done their part plus it was nice to see John Krasinski as Jack Silva in a non-comedic role and he more than held his own as a co-lead but it was James Badge Dale who stole the show for me as Tyrone Wood, a man who wants nothing more than to return home to his family yet is filled with a sense of duty to protect his fellow countrymen above all else.

But at the end of it all I was still looking at a Michael Bay movie and while it is one of his best efforts, in the hands of another director this could have been a classic as there were elements which reminded me very much of Black Hawk Down, some of the action sequences were excellent and there was a sense of history and personality given to the main characters that is usually omitted from a Bay movie. However, despite all this the sense of desperation and dread which was undoubtedly felt by all those involved never really came across on screen to any great effect so unlike the classic movie of this genre I still always felt like I was watching a movie and it never dragged me in to where I left like part of the action, and yes, there are still a number of long, sustained, American flag shots, it is Michael Bay after all!

Although far from perfect and despite the supposed controversy of how close to the truth it may have been it was certainly one of the more enjoyable ‘war’ movies of recent times, off hand I can only think of Fury and Sole Survivor which I enjoyed more and there is a while a little long at nearly two and a half hours it is well worth a look if you missed it upon initial release.

DJ Speaks: 6 out Of 10

Ghostbusters

When a book about the potential existence of ghosts, that she wrote many years ago with her then friend, threatens to ruin her teaching position at Columbia University Erin Gilbert (Kristen Wiig) visits her old friend Abby Yates (Melissa McCarthy) to get the book taken out of the public eye but when this visit coincides with a potential ghost appearance which Wiig reluctantly agrees to tag along with, that turns out to be very real. Erin and Abby, along with Abby’s new partner Jillian Holtzmann (Kate McKinnon) discover something far more disturbing so despite the scorn from the general public they along with MTA subway worker Patty Tolan (Leslie Jones) must save the city from the lunatic Rowan North (Neil Casey) who has found a way to open the portal between this world and the afterlife and is eagerly awaiting to bring about the apocalypse.

McCarthy is amusing as ever but, once again, plays to type when it would have been nice to see her change it up a little with the scope the movie gave. Wiig was good but always had to live up to playing the Billy Murray character of the group and regardless of who you are that’s a big ask but her constant fawning over Chris Hemsworth was funny. Jones was good, if a little stereo typed, as the loud, brash, blue collared expert on the city but it was McKinnon who I though stole the show as the eccentric but brilliant nuclear engineer and it’s about time she is given her own movie to see what she can do. The biggest surprise was how good Hemsworth fit in to the group as the hapless, idiotic, secretary Kevin Beckman. I’d seen him delivery witty one liners as Thor but his comic timing and fools play sat neatly with the long-time comediennes on screen and he never felt like the throw away bit player that he could have been.

I tried very hard to judge this movie on its own merits and not try and get sucked into the ‘it’s not going to be as good as the original’ hype that has been all over the internet since the movie was first announced but the problem was, from the cameos by most of the cast inclusive of ghosts, the outfits, the car, to the nods towards lines and locations from the original film, there was a constant reminder to the classic original so the movie suffered from its own lack of identity.

If I somehow could have wiped the original from my mind for two hours I think this movie could have been one of the big successes of the summer as the script is funny, the CGI is excellent as the ghosts looked superbly realistic and there were even a few nice jump scare moments. The story was well told but kept simple, it was funny at the right moments and the plot moved along at a good pace so as not to bore.

I overheard some people in the movie theater say that they would rather watch Scooby Doo for the rest of their lives than watch this movie again and while we are all entitled to our opinions , this is the danger of the overexposure and over analysis the internet gives us. We have been polluted by media planting the seeds in our head that this is not a good movie. It is not a great movie but it is a good movie and it’s an entertaining film on its own merits, it’s just a pity that they didn’t decide to come up with an original idea around the talent they brought together as it seems like a missed opportunity and could have been a real hit with a little originality. Try and not be warped by the poor reviews, go see it and judge for yourself, it’s deserving of that much and if you can, take it in 3D as the effects are excellent.

DJ Speaks Rating: 5.5 Out Of 10

Colonia

Set in 1973 a couple are trapped in the middle of the Chilean military coup against Augusto Pinochet. When her activist, photographer boyfriend Daniel (Daniel Bruhl) is abducted by DINA, Pinochet’s secret police, Lena (Emma Watson) tracks him to a sealed off compound called Dignidad which is advertised as a mission run by preacher Paul Schafer (Michael Nyqvist) so Lena joins the organisation in order to try and find out what happened to Daniel only to find that behind the scenes the mission is a very different place.

Watson shows some good dramatic acting talent as the driven and intelligent air hostess who risks her life to find her boyfriend and who learns to quickly adapt as the situation needs despite the terrible circumstances she has voluntarily placed herself in, Nygvist is scarily believable as the sadistic leader of the cult who’s depravity went unchecked for years but it is Bruhl who’s journey as the activist leader is the most harrowing, and intriguing, of them all. With this performance along with his star stealing roles as a supporting actor in both Rush and Burnt he is quickly becoming an actor that I look forward to seeing.

While the story itself is a work of fiction it is based around the real life events of the time as the compound, Paul Schafer and the situation are very real. Director Florian Gallenberger has painted a fascinating, yet awful picture of life behind the scenes in the supposed mission where Schafer ran his dual purpose sect with an iron fist and with full co-operation from the Chilean government. Given the potentially powerful historical back story the movie could have been a shocking look at the situation in Chile during that era but the film swings from a film about the lengths people go for love, to a story of human rights abuse, to a jail break movie so the mood is constantly shifting which make the film feel uneven as it takes away somewhat from the shock value of the strong point of the plot but there’s still enough in the film both in the story and the acting to make this one worthy of your time.

DJ Speaks Rating:6 out Of 10

Cell

Based on the 2006 Stephen King novel of the same name, Cell sees Clay Riddell (John Cusack) returning home to his family when an unexpected event caused by mobile phones sends people crazy so Clay must escape with fellow survivors a train conductor, Tom McCourt (Samuel Jackson) and his neighbour Alice Maxwell (Elizabeth Furhman) to try and figure out what is going on and save his family along the way as they bump onto a couple of groups of survivors who’s sanity seems as precarious as the enemy they are facing.

Unfortunately it’s yet another case of a poor adaptation of a Stephen King novel, how that guy must be frustrated watching his good stories being destroyed on the screen, although I’m sure the money flowing in helps. When will Hollywood realise that a good novel horror/sci-fi does not always translate to a good movie?

With an antagonist made up for the movie and very reminiscent of Randall Flagg from The Stand book albeit, much less terrifying and monsters (if they are really that) who’s communication system is very similar to the aliens in Invasion Of The Body Snatchers the film feels like a mish-mash of ideas from other movies behind the story line except the ideas don’t work and the movie is neither entertaining or horrific. I never felt any semblance of caring or empathy for the survivors and I can only put that down to the movie as the book does a good job of it. The best credit I can give it is that it acts like a science fiction piece about technology turning on us (Maximum Overdrive anybody?) which is no doubt mean to be a moralistic, cautionary tale used as a metaphor for about how much we rely of technology and in particular our phones in modern life causing us to act like mindless zombies however, it ends up as nothing more than a cheap feeling B-movie that even an A-list cast that really should have known better cannot save and the disappointing, cheap story line ending was probably the most disappointing thing of all. 

DJ Speaks Rating: 4 Out Of 10

The Neon Demon

A young model Jesse (Elle Fanning) has moved to Los Angeles to pursue a career as a model and at her first shoot she meets make-up artist Ruby (Jena Malone) who quickly befriends her and introduces Jesse to fellow models Sarah (Abbey Lee) and Gigi (Bella Heathcote) and so begins Jesse’s trip into the strange, unsavoury world of the fashion industry where she meets a wide array of characters but all of which are only ever looking out for number one in a cut throat world in which Jesse must evolve and adapt if she is to survive.

Jesse is the ideal character as pure, untainted and virginal, almost always dressed in white or in innocent floral dresses against the harsh brash outfits of the rest of the cast. She is only barely sixteen and has forged her parental consent form in order to get a contract. She is the epitome of a blank page and that is why she is so intriguing to the designers but it is also why she is the envy of fellow models who were in her place once but no longer have the innocence.

While it all came together in the end there are some scenes which will leave you baffled in the context that they are used, for example there’s a scene where Jesse cuts her hand on glass and Sarah offers to help but, while I won’t outline what she does, her actions, at that time, make no sense at all. Also, there’s a speech from Gigi about cosmetic surgery and perfection which again at the time just sounds egotistic, and it is, but which makes much more sense later in the film and this is the real issue with the movie, there are lots of things going on but it doesn’t always seem relevant until later as things are revealed. While it might be construed as clever if the movie was more fast paced the slow development of the plot means that it was very difficult to stay interested in all aspects of the movie.

There were elements of Black Swan and another movie I watched recently, High Rise with perhaps a bit of a Single White Female throw in for good measure but it never got to the same levels as any of those movies. Both Fanning and Malone were good in their roles but these were the only two characters who felt like they had any depth or development and Malone probably outshined Fanning when on screen, all the other players seemed like place holders and pieces in a puzzle. Christina Hendricks only appears for five minutes and Keanu Reeves, while having a little more involvement was still  a bit of a bit part and both roles could really have been played by anybody so I’m not sure of their purpose other than adding an A-list name to the cast. I will credit the Cliff Martinez almost dream like musical accompaniment worked very well in adding to the surreal feel of the scenes and is one of the best soundtracks I’ve heard in a while.

Although he has a very unusual style, I love director Nicolas Winding Refn’s movie Drive which I thought was a very underrated movie and was superb both visually and from a story telling point of view, but this was missing something in terms of the plot development and pacing so instead of being gripping it seemed like it was designed to shock, and I’m sure in that sense it will shock some. Although it’s listed as a horror movie it’s more a thriller with some disturbing moments and while it’s not a bad movie, it’s just very strange which at times felt like it was a pet project for the director rather than making a movie for his audience.

There’s a line in the movie where Fanning states “Beauty isn’t everything, it’s the only things.” unfortunately, when it comes to movies a great looking movie doesn’t always make a good film but it felt like the type of movie that may be more appreciated after a second viewing as it was quite easy to miss subtle moments on screen which became bigger things so while I can’t see this being a hit with the masses it may become a cult hit.

DJ Speaks Rating: 5 Out Of 10

The Lobster

The Lobster is a black comedy set in a dystopian world where all single people are sent to a hotel where they have forty five days to find a partner otherwise they are transformed into an animal of their choosing to live the rest of their lives. David (Colin Farrell) discovers that his wife has left him for another man so he arrives at the hotel with his brother, a dog, and begins the countdown to finding somebody to spend his life with otherwise he will be turned into the animal of his choice which is a lobster as they have a long life cycle and because of his love for the sea.

The hotel is an awful place full of staged propaganda shows, almost militaristic daily rituals and full of regulations all of which are supposedly designed to enhance the possibility of developing relationships for example masturbation is forbidden and severely punished as a resident known as the lisping man (John C.Reilly) finds out, yet daily sexual stimulation by the maid is part of the routine. There is also a bonus round of sorts where residents go on daily hunts to capture ‘loners’, single people on the run who live in the nearby forest, and can extend their deadline by a day for each person captured.

It soon becomes apparent that finding a partner is not easy as there are expectations around compatibility, and one of David’s ‘friends’ known as the limping man (Ben Whishaw) in the hotel shows just how far people will go to ensure they are not transformed, followed by a series of tests afterwards before they are declared ready for return to society and when David’s time is running out he concocts a plan to find a partner regardless, but things don’t work out quite as expected.

Farrell is superb, in possibly his best performance to date, as David as his delivery of the script sounds almost forced giving the whole situation an almost dream like feel and when coupled with the voice over from Rachel Weisz you begin to wonder if this is an author telling a story or is it somebody recalling a real situation being told in flashback and this uncertainty last for well over half the movie giving it even more of a surreal feel which the tale itself is already doing a very good job of but at the same time the monotone delivery of the narrative seems no different than the conversation on screen so you are constantly unsure of the purpose of the narrator in the story.

I don’t want to give too much away in the review as there is so much which will surprise and shock in equal measures and most of the light hearted moments in a very dark movie are from the unexpected absurdity of how these single people are treated. There’s a performance from Lea Seydoux as the leader of the loners which is so dead pan it makes her appearance in Spectre look full of emotion but in this movie it was perfectly suited.

There is definitely a dig at society and how we are burdened with the expectations of life partners and children while being full of satire that is close enough to the bone to hit home. I enjoyed the movie when I watched it but now, having had a bit of time to digest it I think that this is one of the best movies I have seen in a number of years, it’s slow moving yet doesn’t drag as there’s always something happening, there’s unnecessary use of slo-mo but it sits perfectly with the strangeness of the situation and the fact that only the lead character is ever named adds to the eerie feel of the film. If you are looking for some quick entertaining then don’t try this movie but I can only give it a high recommendation as it’s a superb movie which really gets you thinking long after the credits have rolled.

DJ Speaks Rating: 7.5 Out Of 10

Love And Friendship

Set in the 1790’s and based on the Jane Austen novella Lady Susan, Love And Friendship stars Kate Beckensdale as Lady Susan Vernon a recently widowed woman who is looking to find a suitable husband for her daughter Frederica (Morfydd Clark) while keeping her eyes peeled for another suitor for her own needs. Susan is a schemer at heart and decides the best course of action would be to team her daughter, that she doesn’t really seem to care about, with Sir James Martin (Tom Bennett) who swings from idiotic to irritating in equal measure all the while trying to get her claws into Reginald DeCourcy (Xavier Samuel) whom she meets while visiting her in laws, the Vernons, at their estate. But while he does not show an interest in her romantically, he is unable to hide his fascination at her brazen demeanor as Susan is scathing in her treatment of people as she often belittles them while speaking to another character even though they are standing right there in the room and her reaction when they point this fact out is just as cutting. Other characters and sub plots come and go but this movie is all about Beckensdale and her confidant in arms American, Alicia Johnson (Chloe Sevigny) as she tries her manipulation tactics on each player accordingly.

Becksendale plays the role perfectly giving the ideal balance of acting like a lady when front and center while being anything but behind the scenes and she is ably assisted by Sevigny as their relationship has a feel of giggling schoolgirls as they plot and plan behind peoples backs, delighted as each piece falls into place and while the end may not be quite what Lady Susan had in mind, she does end up with a victory….of sorts.

It’s a people watching movie which, while not mentioned as such, is told through a number of acts and most of the fun in the movie is watching the reaction of other characters to the principal player in a scene as their facial expressions are often hilarious as other players bumble their way through situations and the developing plots which slowly become intertwined. While lacking the depth of story line as other Austin adaptations it’s still worthy of a few laughs but is kept moving by Becksensdale’s portrayal.

DJ Speaks Rating: 5.5 out Of 10

The Legend Of Tarzan

Beginning with some back story about the division of the Congo to the colonial powers in the latter part of the 19th century and King Leopold of Belgium’s attempts to extract the rich natural resources, in particular diamonds, from the land but after his initial attempts prove unfruitful he decides to send his envoy Leon Rom (Christoph Waltz) to take control of proceedings but when his exposition is wiped out a local tribal leader, Mbonga (Djimon Hounsou), exchanges his life and the diamonds for the presentation of Tarzan in front of the chief as they have unfinished historical business.

Tarzan (Alexander Skarsgard)  is living in England as John Clayton III or Lord Greystoke with his wife Jane porter (Margot Robbie) and his is invited by the Belgian king to visit the city of Boma in the Congo to act as an intermediary in the colonization of the area given that it was where he was born and raised. (I won’t go into the back story of his childhood, we all know it) He refuses but is convinced by George Washington Williams (Samuel L. Jackson), a consort from America to travel as he suspect that the Belgium King is using the local population as slaves, so begins the adventure when Tarzan must face Mbonga, save the locals, his wife and the creatures of the jungle from the evils of the Belgians and the unscrupulous Rom with a little help from Williams and some other, old friends along the way.

It’s an old story receiving a modern twist but the problem is that, despite the modernisation there’s nothing new. It’s a dated tale, told in older, very different times which does not really work in the modern era of movies. Tarzan and his friends are good, the Belgians are bad. Waltz plays a good villain, Robbie plays a tough, spirited damsel in distress, Jackson has the funny quips when needed and Hollywood still struggles with bringing racial stereotyping into the modern era. It felt that the only reason Jackson was even in the movie was to avoid the backlash the movie would have received otherwise. Swap Tarzan and the jungle for Spiderman and the streets of New York and we’ve seen the impressive swinging before. The CGI and interaction with the animals was good but was done better by the recent Jungle Book movie but some of the green screen scenes were unbelievably bad and I’m really struggling to find anything unique about the movie.

It’s not a bad film by any means and it’s two hours or so of decent entertainment so keep your expectations low and you’ll be okay but is it wrong that I kept wanting to shout out “Here come the Belgians” in a Stuart Hall, International Knock Out style all the way through the movie?

DJ Speaks Rating: 5 Out of 10

Ice Age: Collision Course

Collision course begins with the acorn chasing squirrel Scrat inadvertently setting off a chain of events leading into the creation of the universe, which I couldn’t understand as how could the animal already exist if he was only creating the universe? but I digress, so he also inadvertently creates a bunch of asteroids, one of which looks set to cause the destruction of all life on the planet. In order to save themselves all our returning heroes once again must set out on an adventure to escape from the impending doom.

I have seen the first two movies but missed out on parts three and four and from what I can remember, the first two felt like an adventure while this left like a journey to find yourself against the backdrop of the apocalypse. Mammoth Manny (Ray Romano) has forgotten his anniversary and his wife Ellie (Queen Latifah) is not best pleased also their daughter Peaches (Keke Palmer) who is infatuated with her beau Julian (Adam DeVine) is talking about leaving home and Manny is afraid of both losing his daughter and the fact that Julian is not going to look after her correctly. Sabre-toothed tiger Diego (Denis Leary) and his partner Shira (Jennifer Lopez) are talking about the possibility of starting a family but the young of all other animals seem to fear them. Sid the sloth (John Leguizamo) is, as always looking for love in all the wrong places and the one eyed weasel Buck (Simon Pegg) returns as the voice of exposition on their journey.

Anyway the herd must head off on an exploration mission to find out what is drawing this asteroid towards earth and have many moments and mishaps along the way but which rarely raises the excitement levels eventually reaching an area called Geotopia, an exotic new land with a host of colourful new characters which has a large part to play in the ongoing disaster so the friends must join together to overcome the odds and save the day.

It’s hard to critise movies which are essentially made for kids but when done right they can entertain both kids and adults. Unfortunately, while this movie looks great and has more than enough to keep kids happy there seemed to be a lot of characters who were only there to keep the continuity of the franchise going and beneath the themes of maturing as a person and staying loyal to your friends, there wasn’t a lot going on. They did try to throw in some jokes for the grown-ups, but with the odd exception, such as a Pythagoras joke which I laughed at, they just weren’t that good but it won’t stop the next episode appearing in a few years so hopefully they can get back to the fun entertainment of the original.

DJ Speaks Rating: 4.5 Out Of 10

Absolutely Fabulous: The Movie

Just as we remember from the TV show sponger Patsy Stone (Joanna Lumley) and her publicist best friend Edina Monsoon (Jennifer Saunders) are bumbling their way from glitzy get together to another still somehow in the limelight despite their obvious ineptitude. Eddy is now pushing sixty and has scarcely changed since she first appeared twenty something years ago except that she seems to have grown wider but as Patsy advises her waving dismissively at the image, “You don’t need those Eddy as I will be your mirror”. “How do I look then Pats?” “Fabulous.” but Eddy is not doing so well as the cash is drying up and when her memoirs are rejected by a publishing house things look grim until such time as she finds out the Kate Mass is changing her agent and so begins a desperate chase to ensure that Kate chooses her in order to safe guard the future of her company.

Unfortunately she is not the only one with these ideas and when, after a very funny encounter between Patsy and John Hamm, Eddy gets her moment she accidentally knocks Kate into the Thames where she is pronounced dead after a long search proves unfruitful. Pats an Eddy decide to escape the public backlash and go on the run to the South of France where they begin scheming on how to make themselves rich and set themselves up in the high life out of the public eye only to find out that the jet set lifestyle is not quite as glamorous as they thought. Needless to say it wouldn’t be true to character if they took it lying down so they will so whatever it takes to infiltrate the echelons of the rich and famous.

All the regulars are back with barmy PA Bubbles (jane Horrocks), Edina’s exasperated and completely square daughter Saffron (Julia Sawalha) and an introduction to her hipper granddaughter Lola (Indeyarna Donaldson-Holness) who Eddy and Patsy drag along to France because they believe she is due a large inheritance, along with a host of cameos of varying degrees from stars of the fashion, film and TV industries.

If you liked the TV show then there is more than enough here that you will enjoy and there are some genuinely funny moments, the issue is it just felt like an hour and a half Christmas special in the vein of the Only Fools And Horses classics so there was no actual need for the movie and the story would probably have worked better on the small screen anyway but this is my only real gripe among the ninety minutes of fun.

DJ Speaks Rating: 5.5 Out Of 10