Suicide Squad

Suicide Squad is a movie that I have been waiting for every since the first trailer appeared and it looked like we were going to get an action packed movie about the multi talented group of anti heroes. As the trailer and teasers followed it was looking like they could have a cracking movie on their hands but then the rumours began about a dramatic volume of re-shoots and that things were getting messy. Still, I kept my hopes high but unfortunately my expectations were not met.

Let’s start with some positives, there were some good tie ins with the DC universe which has been set up so far. Batman (and another justice league character) appear briefly, it makes sense and it works. Will Smith was excellent as Deadshot, whether he was supposed to or not, his screen presence took over when on screen and was only matched by the films other big plus in Margot Robbies take as Harley Quinn. It felt like she was crazy and the moments where her interaction with the Joker came on screen felt like I expected them to. Jared Leto also looked great as the Joker and particular loved his laugh which was absolutely maniacal but this leads into the first problem. He’s barely in the movie and his appearances felt like they were really only there to build up the Harley Quinn character so the trailers as a little misleading.

Some of the backstory elements were very good El Diablo, Katana, Deadshot and in particular the Harley Quinn/Joker relationship all looked like they had the potential for a stand alone or spin off movie but Katana has very little interaction, plus I don’t understand why she was even part of the plot and El Diablo has a little more involvement but only for brief moments. Jai Courtney was good as Captain Boomerang but along with Killer Croc (Adewale Akinnuoye-Agbaje) he had little to do. The participation of Slipknot (Adam Beach) was pointless and despite opening well the story line for The Enchantress (Cara Delevingne) just didn’t work for me.

Outside of that Rick Flagg (Joel Kinnaman) who is supposed to be the commander of the group, seemed to play second fiddle to Deadshot and never really feels like he is in control of the group. This fact seemed to be covered by placing him in a plot thread giving him some purpose to see the mission through, but which once again didn’t work for me and Amanda Waller (Viola Davis) who puts the squad together, while playing the role very well, would have been a far better villain that the actual protagonist. Lastly, and probably worst of all, there was some great music used in the movie but it never felt right or part of the film and it took over the scenes rather than enhancing them which was very off putting.

The movie starts strongly but once the mission actually begins it slows down somewhat and the missions ending was awful. I can’t say it’s a bad film and I certainly didn’t think it’s as terrible as the general consensus seem to be. I still enjoyed it, it’s a decent action movie but it was a bit of a mess and felt disjointed so while all of the elements were there for what could have been a great film, they got it very wrong and in the end DC have once again failed to deliver on early movie promise. Director David Ayer has written movies such as Training Day and Fury and I cannot believe that he would put together a plot this messy and lazy so there must have been some studio input in fear of further backlash after the Batman Vs Superman debacle.

Despite all this early figures would seem to suggest that this will have a big box office take so in terms of profit margin it may be a hit but they will need to try much harder with the upcoming Wonder Woman and Justice League movies as their characters are being wasted by mediocrity at present.

DJ Speaks Rating: 4.5 out of 10

The Other Side Of The Door

When her son Oliver (Logan Creran) is killed in a car accident while she is behind the wheel, Maria (Sarah Wayne Callies) is unable to cope with the loss as the guilt eats away at her and after a failed suicide attempt her housekeeper Piki (Suchitra Pillai-Malik) explains that there may be a way for her to speak with her son one final time using an old Indian ritual at a local temple where her sons ashes can be used to call a tribe of shamans called the Aghori that will use the ashes to link this world to the other side for a small period of time. The one stipulation is that while talking to her son, under no circumstances can she open the door she is speaking through. That night after completing the ritual Maria is speaking to Oliver but during their conversation he begins to request her help as people are trying to take him away, Maria opens the door to rescue him but there is nobody there and the link is lost.

It is not long until some strange occurrences begin in their home and Maria begins to see strange figures appear. The situation begins to escalate and when Piki realises what has happened she tells Maria that by opening the door she has allowed the Aghori access to this world while condemning Oliver’s soul and will need to cleanse herself of all his possessions in order to free him but that the Aghori will want to keep the soul and will fight her every step of the way. As Maria becomes more and more frantic her husband Michael (Jeremy Sisto) begins to question her mental judgement and Maria alone must try and save her sons soul before it is too late.

While the concept was decent there is a case of been there, done that with the movie as the predictable jump scares, religious rituals, a characters slow descent towards seeming madness, mysterious shadowy figures and ghostly spirits are a tick box of standard horror movies so while director Johannes Roberts & cinematographer Maxime Alexandre have thrown in some stunning scenery and some beautiful perspective shots, I felt for the actors as they were given a very basic script to work with. While Callies does her best to evoke some levels of sympathy towards her, the ridiculous actions of the character negated anything I felt as, even taking into account the loss of her some, her actions were very questionable at best. Even as a horror fan I struggled to get anything positive from this one.

Under The Skin

Starring Scarlett Johansson, Under The Skin is a tale of an alien being who arrives in Glasgow, takes the form of a beautiful woman and spends her time luring men back to her lair where they become a food source, but as it interacts further with humans it seems to develop more human like emotions and strays from its mission in search of a seeming escape from its purpose.

But a more appropriate statement would be, what is the movie actually about? I’m still not sure and my opening paragraph is doing the movie an injustice but it was the best synopsis I could come up with. It’s potentially so much more than that, as you can take what you want from this film. For me it was a role reversal tale about a female predator and its’ praying mantis style hunting, which, despite any advances we may have made towards gender equality, pointed towards the notion that there is still a primal instinct inside man regarding the allure of the female form and the desire to mate.

Director Jonathan Glazer deserves credit for developing something so off center it’s almost unsettling and brings a voyeuristic feel as, with the exception of Johansson there are no stars, the men are regular guys in every day places going about their business, the only thing that feels like it does not belong is appropriately Johansson who is absolutely superb. Her English accent against the broad Scottish accent of everyone else, already points her out as alien without even needing to state it. The expressionless performance, except when she forces emotions onto her face in order to continue her fascade feels realistic, the brutality she shows in contrast to her softer side when on the hunt comes as a shock and her seemingly genuine curiosity as she experiences new events are spot on. For all the good movie she has done I have rarely seen her as captivating or original as she was here.

I like movies which are a little unusual and the big difference here is that there are no answers to your questions so when things are occurring and you wonder about events there is no exposition, no reasoning, no solutions and when the shocking ending comes it’s as surreal as the rest of the movie but it’s this uncertainty which is the movies best feature and while the dark and depressing feel of the movie can make it a bit of a grind it’s well worth sticking with as, for good or bad reasons, it’s a movie that will stick with you and will get just where the title suggests.

The Last Witch Hunter

Vin Diesel stars as Kaulder, a man with nothing to live for since the death of his family, who we see cursed with eternal life by the witch Queen (Julie Engelbrecht) as he slays her during the time of the Black Death in the Middle Ages. We then jump forward to present day and Kaulder is working as a hunter for an organisation called The Axe And Cross, which acts as a religious military police of sorts and keeps the peace between witches and humans. Each hunter has a keeper and Kaudlers keeper the 36th Dolan (Michael Caine) is retiring so he is teamed up with a younger keeper in the form of the 37th Dolan (Elijah Wood). However, after the 36th Dolan is murdered by a witch Kaulder must turn to two young witches Chloe (Rose Leslie) and  Miranda (Aimee Carrero) for assistance but when they are attacked by Belial who seems to have powers that Kaulder has not seen since the middle ages, it is up to Kaulder and his young allies to battle the dark forces that are gathering to bring the Queen Witch back from the dead.

While there were times that it felt a bit like an adult Harry Potter movie, director Breck Eisner does a good job of creating a slow build up as layer upon layer is peeled back giving us a deeper look into this world of co-existence that we started off knowing nothing about and the lack of need for too much exposition into what is sold as an ancient society shows us what a good job he does in telling us all that we need on screen, at least until the very rushed feeling of the last third anyway.

Diesel plays to his strengths as the immortal slayer, brooding and gruff born of a confidence of eight hundred years or so on this earth, unable to die and the supporting cast, while not given a huge amount to do for most of the movie, support him well, although I didn’t really buy the supposed sexual chemistry between Diesel and Leslie.

While the movie has its flaws and I questioned the motivation for a few of the characters, if you enjoy fantasy movies and don’t pull too hard to the weak script threads then the movie holds together well as an entertaining fantasy, action, adventure film with a lead that fits the role perfectly. While there was no doubt that this was meant as a potential avenue into a franchise I don’t feel it was strong enough (or successful) to entice the studio into producing further movies but as a one off it’s worthy of checking out as long as your expectations aren’t set too high.

DJ Speaks Rating: 5 Out Of 10

Finding Dory

Set one year after the events of the Finding Nemo movie Dory (Ellen DeGeneres) is now an every day part of Nemo’s life but is beginning to get flashbacks to previous events one of which reveals some early moments in her life during which she remembers her family and her home at the Jewel of Morrow Bay and she decides that she needs to try and track them days but as always she is hampered by her short term memory loss so Nemo (Hayden Rolence) and his father Marlin (Albert Brooks) feel obliged to help her in her adventure. During their trip Dory is captured and brought to a Marine Life institute, Marlin and Nemo need to try and arrange a rescue, but Dory is not alone and joins forces with an octopus named Hank (Ed O’Neill) who has an escape planned.

I had questioned whether Dory had enough of a story to front a whole movie but Pixar have produced a very clever twist of making a prequel/sequel in one film where the film jumps back in time as Dory’s memories are unlocked by various events and we learn more about her history and why she ended up where she is while still progressing the movie in the present, adding new characters and developing the ones we already know. It’s yet another master stroke and they have opened up another set of characters for many potential future films. As with the original movie, and all Pixar films, the animation is top quality and all aspects of the underwater world look fabulous. Ellen DeGeneres does a great job as the title character and both Brooks and Rolence pick up on where the story left off. The addition of Eugene Levy and Diane Keaton as Charlie and Jenny, Dory’s parents, gives a great depth to that character but for me the movie was stolen by Ed O’Neill as Hank who’s was perfect as the desperate loner who, despite his initial misgivings about her, finds both an unlikely ally and friend in Dory by the end of the movie.

Is it as good as the first film? I didn’t think so but then again it’s a little unfair to call it a sequel. It’s more of a new movie in the Finding Nemo universe. There was a little less of the subtle adult humour which Finding Nemo had so despite there being some funny moments and good dialogue once the tale moved out of the underwater depths and into the institute the plot was very stretched and went from an adventure to cartoonish quite quickly so it is really targeted at a younger audience. With the voice over talent on show and Pixar at the helm you know it’s going to be entertaining and the kids will love it however it lacks a bit of the magic of the first film and felt a bit, been there, done that, seen it before at times.

DJ Speaks Rating: 5.5 Out Of 10

Jason Bourne

Starting with the words ‘I remember everything’ Jason Bourne starts with a hook and for the first third of the movie it doesn’t stop. We see Jason Bourne (Matt Damon) on the Albanian border living underground and off the grid but still haunted by his past. Nicky Parsons (Julia Stiles) is in Iceland hacking into the CIA database to extract information for Christian Dassault (Vinzenz Kiefer) who is an internet whistle blower she crusades with so when this unearths information regarding Jason Bourne and his father she decides that he needs to be advised. Her hacking has placed her in the line of fire of Heather Lee (Alicia Vikander) a CIA technical specialist who puts a tail on her to investigate who she is working with and when the CIA realise that Bourne is the person Parsons is contacting, CIA director Robert Dewey (Tommy Lee Jones) orders an unnamed asset (Vincent Cassel) to take him out, but Athens is in the middle of a riot and the CIA lose their man, the man hunt is back on and Bourne must try and uncover what was his fathers involvement was in a government program named Iron Hand which seems to be linked back to the Treadstone project as well as figuring out where a new software operating system called Deep Dream comes into play.

With Paul Greengrass back at the helm we are back to the quick cut, shaky camcorder style and it leaves us in no doubt that we are at the heart of the Bourne series. This style works brilliantly during a chase scene based around a riot in Athens is outstanding, which is possibly the best action sequence of the whole series. In fact when the action kicks in the movie is great but the problem seems to be, because Bourne remembers everything the purpose he had in the previous movies is no longer valid, so the film needs to find a different purpose to motivate him which does not have the same emotional impact on the audience. While, for a movie called Jason Bourne he probably gives the least Bourne like performance since kicking ass to extract information has generally been replaced with hacking and bugging but these are the progressive times we live in. That being said the introduction of Aaron Kalloor (Riz Ahmed), the Deep Dream operating systems, the ethical links to user privacy and security, while being relevant to current society, just seemed tacked on as a plot thread to add some padding and when these sections of the movie were being played out the movie seemed to drag a little, maybe this was on purpose to heighten our anticipation of the action kicking in again but it didn’t wok for me.

So while I can’t fault the acting as all involved were spot on with Jones on top form as the battle hardened CIA director who is struggling to get his head around the new technology based terrorist threatand Vikander, who is the best of the bunch, as his go to expert, both being outstanding and with two superb action scenes in Athens and Las Vegas mixed in with a generally good espionage movie it’s hard to put my finger on why I was a little disappointed walking out, the best suggestion I can make is because I had such high expectation that I’m being overly picky.

So, if you were a fan of the originals then you’ll enjoy this fourth episode in the franchise (I’m omitting the Bourne Legacy as it’s a stand alone film) and while it’s not quite Bourne at his best, the bar is set very high so it’s still a very good movie.

DJ Speaks Rating: 6 Out Of 10

Ride Along 2

Following the unexpected success of the first movie Ride Along 2 was always on the cards and without the need to spend time building the lead characters this time around it jumps straight into things as we see Antonio Pope (Benjamin Bratt) speaking with a port official about stolen money which doesn’t end well for the thief, so there’s no mystery about who the bad guy is this time around. Popes hacker A.J (Ken Jeong) is getting cold feet and wants out so he steal files from Pope and goes on the run hoping to blackmail his way to freedom.

In the meantime James Payton (Ice Cube) is attempting to infiltrate a drug gang run by Troy (Glen Powell) with his partner Mayfield (Tyrese Gibson) while Ben Barber (Kevin Hart) is now out of the academy but is still clinging to James in his continued attempts to prove that he’s a good officer so when James and his partner get into bother he decides to help out but ends up causing a shoot out where Mayfield is injured. After a subsequent car chase where James manages to catch his man and finds a flash drive necklace he is assigned by his boss Lieutenant Brooks (Bruce McGill) to head for Miami so he can chase the lead on who Troy was working for. Ben tries to convince James to allow him to tag along and assist, which James unsurprisingly refuses but when Angela (Tika Sumpter) pleads with James to allow Ben to travel in order to keep him out of her hair while she is planning their wedding he thinks that it may be an opportunity to prove to Ben once and for all that he cannot make it as a cop and get him out of his face so the two men, along with some assistance from local Miami office Maya Cruz (Olivia Munn) go after their man.

In what is essentially the same movie as the first with a bigger budget, a shift in location and the addition of some further stars the only real plot shift of significance is that Hart has gone from a wannabe cop to a new recruit and instead of dating Ice Cubes sister, she is now planning a wedding.

Jeong has seemingly been added to the mix for Hart to work his comedy alongside, this is particularly evident in their Star Wars argument. Munn has some moments but never seems to be anything more than a filler to give Ice Cube some potential romantic interest and Bratt is barely used which was a shame. So while the larger budget has allowed for the destruction of more cars it doesn’t seem to have allowed the script writers come up with anything radically different, although given the financial success of the first movie I’m sure they will throw back the ‘if it’s not broken then why fix it’ line.

The problem for me is, the first movie wasn’t that good despite what the box office success may suggest so watching what was essentially the same movie again done nothing for me. Unfortunately, given the budgetary success this movie also achieved I wouldn’t be surprised to see a third movie appearing. All i can say is that we’ve had numerous Rush Hour, Lethal Weapon and Bad Boy movies so do we really need the same premise again?

DJ Speaks Rating: 4.5 Out Of 10

Ride Along

Taking us back to the unlikely buddy cop movies of the 80’s and 90’s Ride Along stars Kevin Hart as Ben Berber a wise cracking security guard who dream of becoming a police officer, especially because his girlfriend Angela (Tika Sumpter) has an overprotective brother James Payton (Ice Cube) who is a detective so before he asks James for his blessing to allow him marry Angela he decides to apply for the Atlanta Police Academy. When he is successful and approaches James he is told that he will need to prove himself worthy by accompanying James on a typical day as a Ride Along where James is hopeful of putting Ben off taking that career path.

So begins Bens baptism of fire into the police world where James does his best to rid himself of what he sees to be the nuisance in his ear but to his initial dismay but eventual reluctant acceptance James realises that Ben has some smarts and can put clues together that he has missed so he agrees to allow him help on the case.

We have seen this story time and time before with the tale only changing slightly on each occasion, two guys who couldn’t be more different thrown together in a situation where they initially clash but it slowly dawns on them that if they work together the sum of their parts makes them stronger and thus they can both win out in the end. There’s nothing new in terms of the comedy either, it’s all been seen before however the interaction between Hart and Ice Cube works well, there is a chemistry between the two which keeps the movie going and it’s all about these two as the rest of the cast have little to do, even Laurence Fishburne has to take a back seat.

In what is essentially a close parody of Training Day with a comic spin Ice Cube plays the hard nosed, street wise detective well and is a perfect foil to ground the manic Hart who actually seems to be playing the character of Kevin Hart rather than Ben Barber, motor mouth to the point of annoying. If you like his style of comedy you will no doubt enjoy the movie but if not then if can grate on your nerves a little. The film does have it’s moments but it’s a premise that’s been done so often that there nothing new here so it’s average at best despite the efforts of all involved.

DJ Speaks Movies: 5 Out Of 10

The Woman In Black

Daniel Radcliffe is Arthur Kipps a widowed father and lawyer who is struggling to make ends meet. He is instructed by his employer to head to the village of Crythin Gifford in order to take control of the sale of Eel Marsh house and any other deeds left behind by the deceased owner Alice Drablow (Alisa Khazanova), so he decides to make the most of the situation and asks his nanny (Jessica Rane) to follow him to Eel Marsh in a few days with his son Joseph (Misha Handley) in order to allow them to spend a weekend from their normal routine. But when he arrives he finds the local population less than friendly towards him and the only person who seems to show him any courtesy is a local wealthy landowner Samuel Daily (Ciaran Hinds)

Unfortunately for Arthur the house and estate have a unhappy history and once he enters the house to survey the situation he begins to hear strange noises, notices a spectral figure and other visions of previous events. When he reports this to the local police office he is dismissed and some locals warn him off speaking about what he thought he seen. When a local child ingests lye and dies Arthur is blamed for speaking about the woman he seen but Arthur is not accepting of this so he begins to investigate the house and it’s contents but soon find that there is more to the situation than it seems so he must try and uncover the truth before the Woman In Black takes her revenge on any more children in the village or his own son.

In what was his first role after he completed the Harry Potter movies it is a little hard to buy Radcliffe as a widowed parent (he was twenty two at the time) which takes away from his character and while he does an alright job he seemed to lack the on screen presence to play the role of a man fighting against the struggles of being a single parent who is financially troubled and is battling a village of people who do not want him around. Where this movie does benefit is from director James Watkins excellent use of settings, the movie is constantly dark, raining, foggy. The ominousness of the situation even away from the house is palpable. But the house itself is the real star, it’s like mixing the house from The Amityville Horror with Frankenstein’s Castle, full of shadows constantly shifting, sometimes naturally, most times unnaturally, locked doors which are then suddenly open, noises from behind the walls all brought together by The Woman In Black who patrols the corridors, waiting for her opportunity to be released.

While there are enough jump scares to warrant the horror movie genre placement it felt more like a period piece ghost story and, while it’s a decent movie, there’s not a lot to set it apart from the rest of the pack.

DJ Speaks Rating: 4.5 Out Of 10

The BFG

Sophie is a young girl living in an orphanage in London who suffers from insomnia so often is awake at 3AM or what she calls the real witching hour. One of those nights while on her balcony she sees a giant but he notices her and kidnaps her from her bed taking her away to giant country where she believes she is going to be eaten and tries numerous times to escape but he eventually explains that he only took her because he had to as she would have told the world about him which would have highlighted the secret fact of his existence. So Sophie is stranded in his home with no means to get back to London but there are a number of giants living in giant country and the rest are not as friendly as Sophie’s captor so they constantly have to hide her away from the other giants who begin to suspect that there is food in the vicinity.

As Sophie spends more time with the giant a friendship of sorts develops and as he open up to her he explains that he is called the Big Friendly Giant which Sophie shortens to The BFG and he brings her along with him as he carry out his work which is capturing peoples dreams but when they return they realise that the other giants are aware of Sophie’s presence and are constantly trying to locate her so Sophie and The BFG must devise a way to rid themselves of the other giants.

I read the book many, many years ago so I was walking into this one with knowledge of the tale and with high expectations given that Stephen Spielberg was at the helm. Did it work for me as a movie? Not really, as I was pulling too many small continuity errors as the movie progressed, the constant use of the mixed up grasp of the English language used by the BGF started to get on my nerves after a while as did the bossiness of Sophie, bah humbug, I know. What I will say, putting that previous statement aside is that as a family film the BFG most certainly does work. The motion capture work for the gain by Mark Rylance is great and Ruby Barnhill matches him every step of the way as Sophie, their interaction and emotional acting works to a tee even if although some of the green screen moments are a bit plain to see.

It’s easy to say it’s a movie about a girl befriending a giant and going on an adventure together but behind the story there is so much more. The giant becomes a lost father figure, looking after Sophie, keeping her safe from danger above all else which also acts as a confessional of sorts as part of his convalescence for previous deeds. Sophie becomes a mother, guiding the giant, teaching him about the human world, correcting his mispronunciation and teaching him to stand up to bullies. It’s a very clever way of bringing two characters who feel alone in their world together in friendship.

It’s a no frills tale which is reasonably well presented but is nowhere near the Spielberg classics list however during my time in the cinema, from the laughing and giggling I heard, all the kids watching the movie were enjoying themselves so it will the kids and I’m sure some adults alike entertained.

DJ Speaks Rating: 5 Out Of 10