X-Men: Apocalypse

Beginning with a scene in ancient Egypt we see En Sabah Nur/Apocalypse (Oscar Isaac) using celestial technology to increase his powers to ensure he and his four mutant aides continue to rule however a twist of fate results in him being buried during the ceremony. We then cut to 1983 where CIA agent Moira MacTaggert (Rose Byrne) is tracing the legend of Nur and sees his re-awakening where he begins his search for his new assistants, also known as the Four Horsemen and recruits Angel (Ben Hardy), Psylocke (Olivia Munn), Storm (Alexandra Shipp) and Magneto (Michael Fassbender).

In the meantime Professor Xavier (James McAvoy) is recruiting more students in his school for mutants with assistance from Raven (Jennifer Lawrence), Beast (Nicholas Hoult) and Havok (Lucas Till) which introduces us to Jean Gray (Sophie Turner), Nightcrawler (Kodi Smit-McPhee) and Cyclops (Tye Sheridan). Apocalypse taps into Xaviers mind when he is using the Cerebro machine and so begins a battle for the fate of the planet as Apocalypse wants to destroy the world and build it again where he will rule as master and it is up to the new generation of X-Men to stop him.

There’s a lot of good stuff in the movie, the new x-men characters are brought in well with some decent back stories and I haven’t even mentioned Quicksilver (Evan Peters) yet who, if you thought his scene stealing moment in Days of Future Past was good then you’ll love his main moment in this movie as it is probably the best single scene in any of the X-men films so far and he seems perfect for a standalone movie. Magneto is given some superb development and it’s a great insight into the inner turmoil of the character and Beast finally get a little more fighting to do and shows that he’s not just the brainiac of the bunch.

Unfortunately, with such a large cast, some characters don’t get their due, and chief among the casualties are Psylocke and Angel who didn’t have the impact I expected. There’s been a lot of criticism towards Jennifer Lawrences acting but I think it’s as much a case of her character not being enough of a challenge as much as poor acting as Mystique is not a major player in this film. Also, Apocalypse looked and sounded great, he also showed some great moments of his power yet he felt over reliant on his horsemen and although his goal was clear it was a very long winded way of trying to achieve it.

It was nice to focus more on the mutant vs mutant battles rather than the human vs mutant tales of the first two films however given the extent of the seriousness of the situation i.e. the end of the world with huge loss of life, there was very little time given to showing anything from the human side and even McTaggert, who played such a bit role in the first to films, felt like she was added in to give Xavier a bit more depth and tie the story in with the extended universe rather than adding anything to the movie.

I liked First Class and was a big fan of Days of Future past so I was hopeful that Apocalypse would keep the standard of the X-men franchise high and for the most part it did however, despite some excellent action sequences, clever humour throughout and a good story line it just never quite reaches the same heights as the second movie but it is definitely well worth a watch for any fans of the franchise.

DJ Speaks Rating: 6 Out Of 10

Everybody Wants Some

A spiritual sequel to director Richard Linklaters 1993 comedy Dazed And Confused. Everybody Wants Some is set in 1980 and follows a group of college baseball players in the three days leading up to the start of term and while on paper this movie shouldn’t have worked as it’s essentially a two hour look at a group of sports jocks lads partying their way through a series of events trying to act more macho than each other, yet the film keeps you interested and invested so you feel like you’re part of the group.

The main character is Jake (Blake Jenner) who not only has to gain acceptance as a freshman but given that he is also a pitcher he has to work twice as hard to gain the trust of his new teammates but given that he is a sports jock he is not short on confidence and takes to the task with gusto and while the group has a good mix of characters who all have their moments, strengths and weaknesses, no one person is bigger or more important than the other as it’s all about the team.

For these guys it’s not about making the big leagues after college, it’s about making the most of being given a chance to experience college life while playing baseball and it’s a win-win situation for them. They roam from party to party with a swagger of guys who don’t have a care in the world and no matter what situation they find themselves in, chasing girls is just an extension of the sport they play and it’s all about getting the win.

It’s a little chauvinistic in places but given the setting I’m sure that was how things went down in that era so nostalgic is probably the best word that can describe the movie. The music is great, the setting feels right with each scene moving the film along without detracting from anything else going on around it and although it may sound weird it a very enjoyable movie where not a lot actually happens yet you still end up with a smile on your face.

Dazed and Confused featured early performances from Ben Affleck, Milla Jovovich, Matthem McConaughey, Renee Zellweger and Cole Hauser amongst others and given the similarities between the two movies it will be interesting to see if the same will be said of this group of actors.

DJ Speaks Rating: 6 Out Of 10

Carol

In a tale of forbidden love in 1950’s America, that was already paranoid enough with the ever increasing rise of the Communism threat, Carol stars Kate Blanchett who is fighting with her husband Harge (Kyle Chandler) over custody of their daughter when she innocently bumps into Therese (Rooney Mara) while Christmas shopping in a New York department store and while Therese has a boyfriend there is something sparked with the initial business like transaction. When Therese realises that Carol has left her gloves behind in the store she makes it her business to ensure they are returned  and as a thank you Carol invites Therese to her home in New Jersey. It’s from there that things start to develop to the inevitable moment when they can no longer carry on their pretense. However this movie is not about the romance itself it’s more about the effect their mutual attraction has on their lives.

With themes of loneliness and longing running through the whole movie as Therese spends much of her time people watching and torments herself as she sees members of more conventional relationships engage in hand holding, a brush of hair from a face or interaction with their children, all of which she realises she will never be able to do in public with Carol which brings a form of tragedy to the relationship even though it makes her happy. While Blanchett plays the role with such poise that even her innocent actions seem calculated so when she does open up it seems even more raw and out of character. Despite the joy both women gain from the relationship they still feel the loss of not being able to openly show their love for each other so the constant cycle of highs and lows strains their relationship just as far as Harges threats to use Carols sexuality against her in their fight for their daughter.

From beautiful outdoor settings to dingy motel rooms and hotel lobbies there is a fantastic feel of 1950 New York about the movie and when coupled with the excellent acting from both leads and the topical subject matter it’s no surprise that it was one of the most critically acclaimed movies of last year and while I wouldn’t rate it as highly as some there is no doubt that the movie deserves most of the praise.

DJ Speaks Rating: 6 Out Of 10

Bad Neighbours

Seth Rogan is Mac Radner who along with his wife Kelly (Rose Byrne) are struggling to cope with their new parenting role and letting go of their youthful, exuberant, partying ways and becoming responsible adults. Their situation isn’t helped when the Delta Psi Beta fraternity set up off campus in a house next door and begin to party as fraternities know how to best.

Initially the Radners try to appeal to the leaders of the fraternity Teddy (Zac Effron) and Pete (Dave Franco) and initially it’s quite amicable as Teddy agrees to keep things low key as long as Mac deal with the directly and does not involve the police. The Radners are quite happy with this set up and even partake in one of the parties but it’s not long before the noise levels are just too much to ignore and the police are called. This only makes the situation worse and what then occurs is a battle of wills as the Radners try to force the powers that be to see what the fraternity is up to why dealing with increasing levels of antagonising from Teddy leading to all our war at the fraternities massive end-of-the-year party.

You generally know what you’re going to get with Rogan in a lead role and there’s nothing new here however the interaction with both Byrne and Effron works very well and he is perfect as the guy who still loves his old life but is doing his best to become a good parent. Byrne is possibly even more central to the plot as she pushes Rogans further and further into taking Effron on blow for blow. Effron does what he does best as the self centred head of house who loves nobody more than himself but is the weakest of the trio in terms of his plot and script.

In the end all the pieces are there for a good comedy movie. Director Nicholas Stoller has already given us Forgetting Sarah Marshall and get him To The Greek so he’s a great fit for this story and it all comes together to gives us a funny, if not hilarious movie, which you will laugh at but is still a repeat of the same gags we’ve seen from Rogan before with very little new material and unfortunately most of the best parts are shown in the trailer.

DJ Speaks Rating: 5.5 Out Of 10

Me Before You

Based on the book of the same name by Jojo Moyes, who also scripted the movie, Me Before You is the story of Louisa Clark (Emilia Clarke) a cheerful person who always sees the bright side of life and people despite her situation which is far from perfect. She manages to land a job as a carer for Will Traynor (Sam Claflin)  young man who was left paralyzed in an accident a few years earlier who is cynical and cold towards life and while he tests Louisas optimism to it’s limits she eventually begins to get under his skin and as their relationship blooms they begin to realise that there may be more to things than just a carer/patient situation.

Clarke takes the quirkiness all the way to the maximum and while there were times I was very much reminded of the Bridget Jones character in her performance there is a believability about her as the innocent and slightly naïve character that you can’t help liking and Claflin does a great job as the understandably bitter man who lived life to its fullest until he was struck down and has put up a emotional wall around himself that Clarke constantly does her best to break down.

There’s some very good chemistry between the two actors and they are assisted by a decent support cast that is, at times, left a little underused (with one or two moments of exception) but the story is about all the two leads so it’s not a big deal. I haven’t read the book and I didn’t know how things pans out so credit goes to the strength of the story that there was enough humour in the tale despite the seriousness of the situation, and the film even brings in a few moments where serious moral decisions are thrown into the mix while keeping you guessing which way the ending is going right until the final moments.

I noticed a lot of the female members of the audience were tearing up so this could be a perfect choice for your next romantic night with your partner who at this stage is probably sick of you talking about Star Wars and Superheroes.

DJ Speaks Rating: 5.5 Out of 10

I Saw The Light

Tom Hiddleston takes the reins as Hank Williams in this biopic of the Country & Western music star. Hiddleston deserves credit for his immersion in the role, singing his own music for the film, and putting on a great southern accent. According to reports he spent months learning to play guitar and practicing with country singer Rodney Crowell and it pays off as he mimics the yodeling styles of Williams excellently. He is joined along for the ride by the ever more impressive Elizabeth Olsen as Audrey his wife, manager and sometimes singing partner.

I couldn’t help to compare the movie to the similar film Walk The Line and this just never reaches the same heights despite being a more tragic tale since Williams was cut down at the young age of 29 after a life of excess where he essentially drove himself into an early grave.

The movie seems to lack real tension or emotion outside the pieces involving his turbulent marriage to the equally strong willed Audrey or when he is performing on stage but I’m not sure if that is down to Williams life itself or director Marc Abrahams interpretation and while first part of the film where Williams finds his feet, hones his talents and forces his way onto the Grand Ole Opry through sheer persistence as well as his obvious talent is intriguing and entertaining the second half then becomes a decline into alcoholism, drug abuse and womanising which, while perhaps accurate, slow the movie down as we essentially watch Williams drifting towards his demise, only interspersed with small moments of interest. While I don’t know a huge amount about the man I can’t say that the movie feels like it does justice to the life of a legend of music.

DJ Speaks Rating: 5 Out Of 10

Dirty Grandpa

Jason Kelly (Zac Efron) is a straight laced corporate attorney who is planning a marriage to his controlling fiancee Meredith Goldstein (Julianne Hough), while he is attending his grandmother’s funeral he re-acquaints himself with his Grandfather Dick Kelly (Robert DeNiro) whom he used to be very close to as a child but he has had no contact with for a number of years. In order to try and re-establish some form of bond DeNiro asks Efron to drive him on his upcoming trip from Georgia to Florida and despite the pressure from Hough he reluctantly accepts.

Dirty Grandpa starts right from this point in an endless cycle of crudity and close to the bone jokes covering the usual sex and drug references but pushing the boundaries as far as Nazi references and child molestation. Yet strangely it does so without ever really offending or overstepping the mark (unless you’re very prude) and I found myself laughing at some of the gags although perhaps that was in a, so bad it’s humerous, way. Maybe it’s because it’s DeNiro putting in another off center role that he seems to be doing more often than makes it funnier than it should be. Or, maybe it was the influence of director Dan Mazer who co–wrote both Borat and Bruno with Sacha Baron Cohen so perhaps the crassness shouldn’t be a surprise.

As with many other movies in this genre the film is inconsistent, borderline ridiculous and in many ways pointless yet there was a good chemistry between Efron and DeNiro, the comedy, even if it wasn’t great, was well timed and gave some credibility to the bonding moments that the two characters have.

The supporting cast all do what they need to with Aubrey Plaza’s turn as the oversexed Lenore standing out from the rest but it’s still a by the numbers raunchy comedy that flatters to deceive and when the jokes do arrive there are too many misses over the number of hits to raise it above mediocrity yet looking at the box office figures it made a lot of money so don’t be surprised if a sequel appears in the next year or two.

DJ Speaks: 4.5 out Of 10

Paranormal Activity:Ghost Dimension

The sixth movie in the paranormal Activity series sees the Fleege family Ryan (Chris J.Murray), Emily (Brit Shaw) and daughter Leila (Ivy George) move into their new home. It is just before Christmas so they are joined for the festive celebrations by Ryan’s brother Mike (Dan Gill) and Skylar (Olivia Taylor Dudley), a new age hippie type who’s place in the family is never defined (at least not as far as I could ascertain). Mike stumbles across an old video camera and some tapes in the basement. The tapes contain various snippets from the previous movies and when looking through the camera there seems to have a weird effect of seeing shapes which cannot be seen normally while at just about the same time Leila starts speaking with her new friend Toby. Cue the usual speight of strange noises, weird occurrences and shadow appearances which we have seen in the previous movies. Needless to say the situation escalates to the point where the family need to search the history of the house to try and explain what is going on and to save their daughter from being taken by the demon.

It’s about time to put these movies to bed once and for all as this is essentially a cut and paste of pieces of the previous five films with the usual scenes viewed through the point of view of the camera broken up by something zipping across screen, some ridiculously lazy moments in the script where characters suddenly have a way off left of center idea in order to explain a situation and who make ridiculous decisions for people who are in their situation. The one potential redeeming feature this movie is when it is realised that in some of the old video tapes the people on screen are describing the exact scene we are watching in this movie, which is quite an interesting concept and gives some semblance on the linking of the events to the past, is barely touched upon.

This is rumored to be the last movie in the series and on this basis then I hope this is true as it’s time to send this series into another dimension where it can never bother us again.

DJ Speaks Rating: 4.5 Out Of 10

Florence Foster Jenkins

Meryl Streep, as usual, breezes her way through this performance as Florence Foster Jenkins a socialite in New York’s high society of the 1940’s who believed she was a talented opera singer but was ridiculed for being tone deaf yet she was very popular due to the amusement her singing provided. This movie focuses on her later life as she is shielded from the reality of her delusion by her husband and failed thespian actor St.Clair Bayfield (Hugh Grant) and ably assisted by her, initially reluctant, accompanying pianist Cosmé McMoon (Simon Helberg)

Bayfield spends all his time shielding Jenkins and ensure that all of her performances are all in front of either paid off members of the musical circles who are more than happy to play the pretence and take the cash in exchange for good reviews in the newspapers, or close friends who are happy to play along with the facade which culminates in her insistence to put on a show at Carnegie Hall for war veterans where Bayfield cannot control the proceedings and thus opens the door for all and sundry to see the realism behind her questionable talents.

While the material may not seem like the most intriguing of subject matter, director Stephen Frear, who previously worked with Streep on The Queen, has put together an enjoyable and sentimental movie which is aided by great performances by it’s three leads who grab your attention and ensure that despite the potential for the film being a bit of a one trick pony there is a certain charm to the movie that you can’t help but be entertained by and despite the main selling point being the comic irony of the situation there is a sub theme which is tinged with a certain tragedy but is handled superbly without ever dragging the story into depressing waters.

DJ Speaks Rating: 6 Out Of 10

Dumb And Dumber To

I still think the original movie is an absolute classic and the crudeness of the Farrelly brother script fit perfectly with the tale of the two idiots Harry & Lloyd however after the awful attempt at a prequel in Dumb & Dumber & Dumberer, which in fairness was nothing to do with the Farrellys, and the numerous attempts that have been made at sequels to classics which have fallen flat on their face in the meantime, it was with some trepidation that I watched this film.

There are some good moments such as when Lloyd Christmas is asked if his surname is based on the holiday to which he replies no, the tree, which would have fit right into the original movie but most of the time it’s a regurgitation of bodily function jokes and general bathroom humour based around a very loose tale of Harry needing a new kidney and finding out he has a long lost daughter who lives in Maryland so a second Harry & Lloyd road trip is required to source this potential organ donor.

Now, I wasn’t expecting a plot or writing which would be making an Oscar shortlist but this really is a case of one step forward and two steps back as each time there’s a gag which hit it is followed by at least two that don’t meaning it’s a stop – start affair that builds your hopes and memories of the classic original only to rip them away by returning to obscurity just as quickly.

Both Jim Carey and Jeff Daniels have shown that they can do serious action with roles in such movies as Terms Of Endearment, The Truman Show, Eternal Sunshine Of The Spotless Mind and The Purple Rose Of Cairo so let’s hope that they both return to serious acting and leave these two characters in the retirement home where they belong, and hopefully I haven’t just given anybody an idea for a third movie.

DJ Speaks Rating: 4 Out Of 10