Barbershop: The Next Cut

Set fourteen years alter the first movie and twelve years after the sequel this third installment of the franchise sees Calvin (Ice Cube) and his staff trying to save their premises in the South Side of Chicago from the ever increasing gang violence in the area where the shop was always viewed as a safe place where the troubles of the streets could be left behind so they decide to advertise via social media that for 48 hours they are asking the rival gangs in the area to call a truce and during this period all haircuts will be free.

This ties in nicely with the sub plot of Calvins son Jalen (Michael Rainey Jr) who is now a teenager and his friend Kenny (Diallo Thompson) being enticed towards the prospect of the power of local gang membership and he is rebelling against his father’s strict, no nonsense approach to parenting which leads to tension within the shop since both Calvins friend Rashad (Common) also works in the shop and feels that Calvin may be partially to blame for pushing their kids towards gang life. It is this thread which gives the movie it’s real focus as both actors do a fine job of portraying the tension and struggle of trying to keep their kids on the right side of the tracks despite the glittering lights and allure of the prospects on the other side, the rest of the movie feels like a snapshot between the light hearted comic moments, mainly from Eddie (Cedric The Entertainer) and bickering between employees over every day mundane items but it pulls the movie together to make it feel like a place of employment, which I assume is the purpose of the film.

Ice Cube was excellent as a man trying to balance his work life with looking out of his son and is struggling to cope with both, as stated above Common done a fine job as both friend and foil to Ice Cube and Cedric The Entertainer also shone with what he was given to work with as loud mouthed Eddie. The rest of the cast were fine but felt like they were background players to these two. Having not seen either of the first two movies some of the history of the franchise and character relationships may have been lost on me but overall the movie entertained if never excelling and I thought it was too comedic to be a drama and too dramatic to be a comedy so it felt a little lost in between.

DJ Speaks Rating: 5 Out Of 10

Now You See Me

Four different magicians, Danny Atlas (Jesse Eisenberg), Jack Wilder (Dave Franco), Henley Reeves (Isla Fisher) and Merritt McKinney (Woody Harrelson) are brought together to a New York location by a strange tarot card that they have received and while here they receive details related to some elaborate magic tricks. We then cut to a year later where they are on stage in Vegas as The Four Horsemen performing a trick based around the theft of a vault from a bank in Paris and are thanking their new benefactor Arthur Tressler (Michael Caine) who is head of a major insurance company.

This seeming real theft puts the Horsemen in the path of FBI agent Dylan Rhodes (Mark Ruffalo) and an Interpol agent (Melanie Laurent) who are investigating the robbery and while they are almost certain the Horsemen are guilty they have absolutely no proof so they turn to Thaddeus Bradley (Morgan Freeman) who is a renowned exposer of the truth behind magic tricks. When, during a subsequent act the Horsemen seemingly transfer millions from Tressler’s accounts to members of the audience Tressler agrees to hire Bradley to track down the magicians and it becomes apparent that there are links between the Horsemen and to a group called the Eye who claim to have the power of real magic.

Director Louis Leterrier, who also directed another movie I recently reviewed, the awful Grimsby Brothers, does a good job of keeping us on our toes through numerous chase sequences and in a movie where nothing is as it seems the twists and turns of secret identities, revenge for former acts and underground brotherhoods, in general, are not telegraphed. Although some of the magic scenes do require a leap of faith to eliminate any disbelief you may be feeling I suppose that’s what magic is anyway so I could accept that.

The stunts are all interesting if a little far-fetched and the four leads are all good as the Robin Hood type public heroes, although Eisenberg was the stand out for me with an almost neurotic personality that he does very well but the problem came when the rest of the cast took centre stage as Ruffalo wasn’t his usual strong character, Laurent wasn’t given a lot to work with as she swung back and forward from agent to awe struck fan, Caine was, assumedly, added as a box office pull as he had little time on screen and Freeman, while a little more central to the plot, really only acted as the voice of exposition as he spent the movie explaining how each magic act was carried out.

Overall, it was a decent movie but it relied a little too heavily on the glitz and glamour scenes of spectacular feats and explosions and if you’re looking for a really good movie with some real suspense based around the world of magicians check out Christopher Nolan’s excellent The Prestige instead.

DJ Speaks Rating: 5.5 Out Of 10

Triple 9

With more than a nod to the classic (and far, far superior) Michael Mann movie Heat and some leaning towards Antoine Fuquas, Training Day, Triple 9 is a tale of criminals and corrupt cops teaming up to commit a series of heists in order to steal items for the Russian mafia.

In a tangled mess of relationships, Michael Atwood (Chiwetel Ejiofor) is the leader of the gang and is being strung along by Irina Vlaslov (Kate Winslet) the wife of a Russian mafia boss who was recently convicted of a crime, into committing heists since she has control over his child whose mother Elena (Gal Gadot) is Irina’s sister.

After the latest crime she withholds payment until after the next heist which causes trouble within the gang but when one of them is executed to show that Irina is not playing about they reluctantly accept the job however the required information is stored in a government facility so the gang decided that the only way they can get this done is to invoke a Triple 9 situation (officer down) which will get every cop in the city to respond and will buy them the time they need. Luckily one of the cops in the gang, Marcus Belmont (Anthony Mackie) has found the perfect candidate in his new partner Chris Allen (Casey Affleck)

There are some pluses in the movie with a lot of dark settings bringing a great feel of being deep in the underbelly of Atlanta to the screen and some of the action scenes are excellent. However this is negated by the very large plot holes we are expected to ignore in order to accept the gangs situation, for example Chris’ uncle Jeffrey Allen (Woody Harrelson) is leading the investigation into the gangs heists and they still pick Chris as the victim of the Triple 9? Also, the getaway driver Russell Welchs (Norman Reedus) brother Gabe (Aaron Paul) is a drug addict and an obvious liability to the gang, surely there are better options? These are just two that I can mention without spoiling the movie but there are more.

It’s this lack of believability which takes away from what has the potential to be a very good movie as the acting talent is excellent and, while the performances are not superb this is more down to the script than any fault in the actors as the action sequences are the films strongest point and it is when the dialogue becomes the focal point that the movie starts to lag. It’s still a good thriller which is very enjoyable but it could have been so much better.

DJ Speaks Rating: 6 Out Of 10

The Brothers Grimsby

You know what you are getting when you watch a Sacha Baron Cohen movie, generally crude and offensive comedy with a thread of a movie premise behind it and this latest effort is no different as he brings us the tale of Nobby Butcher who, when growing up was inseparable from his brother but they were separated while going through the foster care system after their parents died 28 years earlier and is now a stereotypical working class Northerner while we learn that his brother Sebastian (Mark Strong) is a top level MI6 agent. When Nobby finds out that his brother will be attending a high profile charity event he manages to gain entry and messes up the whole mission leading to his brother having to go on the run. It’s then down to Nobby to assist Sebastian in clearing his name and dealing with the conspiracy which they uncover along the way.

What transpires is a predictable medley of gags about Nobby making Johnny English look like James Bond, the actions of the stereotypes of working class Britain, jokes about anatomical parts and one horrendous scene involving elephant sex!

Cohen seems to be on a downward spiral in terms of these comedy characters, Borat was good, but Bruno not so much, General Haffaz was poor and now Nobby is as bad if not worse and for a movie with such talent as Penelope Cruz, Ian McShane, Isla Fisher, Rebel Wilson and Gabourey Sidibe its criminally unfunny. Did I giggle at some scenes? Of course I did. Was it a funny movie? Not at all. Even if you liked Borat or Ali G before that this has none of the clever humour of either of those characters and there are far better comedy movies that you could be spending your time watching.

DJ Speaks Rating: 4 Out Of 10

Alice Through The Looking Glass

A sequel to the 2010, hugely successful, Alice in Wonderland movie which somehow managed to bring in over $1 billion worldwide at the box office. This time we find Alice (Mia Wasikowska) on the high seas as captain of her own ship, taking on the elements and pirates just to show that she is no ordinary girl (or woman as she must be now) however when she returns home she finds that, her former beau Hamish Ascot (Leo Bill), has taken over his father’s company and plans to have Alice sell him her father’s ship in exchange for the return of the deeds to her family home. After an argument with her mother over this situation she runs off (again) and follows a butterfly, who she believes to be Absolem from her first adventure, through a magical mirror which brings her back to Wonderland although this time the plot of the book is discarded for a different theme.

All the characters are back again however this time she finds that The Mad Hatter (Johnny Depp) is acting very unusual and his failing health is based on the fact that he now believes that his family, that he initially believed were dead, are still alive so the White Queen (Anne Hathaway) suggests that Alice speaks with Time (Sacha Baron Cohen) to see if he can help in finding out how this occurred but Time is unwilling to assist and advises her that you cannot change the past however Alice steals an instrument called the Chronosphere which allows her to travel back in time to find out what happened to the Hatters family. From that point it becomes a chase across tihe ages as Alice travels back and forward between the real world and Wonderland trying to change the past but inevitably only changing things for the worse which culminates in the Chronosphere falling into the hands of the Red Queen (Helena Bonham Carter) who decides to use the instrument to rule all of time.

While Tim Burton managed to create a sense of fantasy around the characters in the first movie this time the characters suffer from a lack of use. It’s all about Alice and unfortunately Wasikowska just doesn’t feel like she is the center point of the movie and is often overshadowed by other characters. Also her portrayal of the grown up Alice still feels childlike. Depp has very litter to do, Bonham Carter is good when on screen but the time is limited and ditto for Hathaway. The rest of the cast are only background noise and the one person who is given any type of center stage is Cohen’s Time character who does a good job as the master of the clock but overall they are battling against a poor script and a seeming lack of vision to bring the same magic to the screen that the first movie had. While not a bad movie it’s not a particular good movie either although I’m sure it will still make a fortune at the box office.

DJ Speaks Rating: 4.5 Out Of 10

The Daughter

The Daughter is an Australian movie set in a small town where a local timber mill run by Henry Neilson (Geoffrey Rush) is the main source of employment and the life blood of the area so when the announcement is made that the mill is to close the whole town seems doomed. One member of the town effected is Oliver Finch (Ewen Leslie) who seems to have a reasonably happy life with his wife Charlotte (Miranda Otto), daughter Hedwig (Odessa Young) and father Walter (Sam Neill). Walter used to be a good friend of Henrys but they have fallen out over the years as life took them in different directions. Thrown into the mix is the marriage of Henry to his younger housekeeper Anna (Anna Torv) which brings his son Christian (Paul Schneider) back from the USA and in the same way that Henry and Walter are former friends so were Christian and Oliver but Christian is a troubled man who is struggling to keep his relationship together thanks to his ongoing struggle with alcoholism and when his partner decides not to join him in Australia he battles with his desire for heavy drinking sessions returns.

The pivotal point is initially Henry but slowly drifts towards Hedwig as we begin to learn more about the history of the small town. Cristian is struggling to keep to himself together as he deals with the combined breakdown of his relationship coupled with the memories of his mothers suicide which are re-awakened by his return, his unwillingness to accept his fathers new marriage and also the re-ignition of his friendship with Oliver. he then discovers a long hidden secret which will tear their worlds apart if revealed.

With some clever camerawork, particularly the over the shoulder shots which give added realism to the situation and some very clever use of symbolism through the form of a duck which is shot by Henry at the beginning of the movie, while this may sound like a strange statement the movie is an adaptation of a book called The Wild Duck.

It is a slow moving but intriguing film with good acting all around but made all the better by the performance of Young who conveys a superb acting range as the tale drags her in many different directions of emotional turmoil and it’s dark subject matter makes a nice change from the politically correct material that normally appears on our screen, but it’s a very enjoyable experience if you’re looking for something a little less mainstream

DJ Speaks Rating: 7 Out Of 10

Keanu

I had heard some good things about this movie and I expected a comedic romp starring the aforementioned feline getting into various scrapes, instead this felt like a sketch from stars Kay & Peele which was stretching into movie length with the cat only forming a small sub plot to the film.

Keanu is an adorable kitten, even for a dog person like myself, and once he ends up on the doorstep of Rell (Jordan Peele) who has just been dumped by his girlfriend it’s love at first sight however unknown to Rell, Keanu already has owners in the form of the Allentown Boys (also played by Kay & Peele) who have recently liberated him from a local Mexican cartel boss while carrying out a hit so they want him back. While Rell is on a night out with his cousin Clarence (Key) the house is ransacked and Keanu is missing. The trail leads to local gangster Cheddar (Method Man) who is now in possession of Keanu and in order to get Keanu back Clarence and Rell must adapt new personalities in the form of gang members ‘Tectonic’ and ‘Shark Tank’. Of course it wouldn’t be a movie if it went according to plan so we have to follow the stars as their deception takes them further and further into the underbelly of the city as lie follows more elaborate lie.

Yes, there are some humerous pop culture references and a very funny cameo from Anna Faris but the real laughs are as few and far between as the cat appearances so this feels slightly like false advertising, certainly like a wasted opportunity and at 98 minutes way too long to keep a weak plot interesting as it’s essentially a one joke movie.

DJ Speaks Rating: 4.5 Out Of 10

Alice In Wonderland

Sticking reasonably close to the original tale of the book, Tim Burtons vision of Alice in Wonderland is ready made for 3D cinema with the colourful, psychedelic world suiting the medium perfectly. We find Alice (Mia Wasikowska) as a teenage girl who’s quirky ways don’t fit in with the rest of her society class but this doesn’t stop Hamish Ascot (Leo Bill) from wanting her hand in marriage but only for the betterment of his family so Alice wants no part of this and runs away only to fall down a rabbit hole and into the fantasy land. Along the way she meets, and is assisted to varying degrees, by all the characters from the books in order to help her cause to defeat the Jabberwocky (briefly voiced, but superbly so by Christopher Lee) and restore the White Queen (Anne Hathaway) to power.

There were times when Wasikowska seemed perfect for the role as she played Alice with a mix of innocence and determination with equal measure but once she needed to carry out a scene with one of the stronger actors this is when she felt like a background piece rather than the central figure that the story should have dictated.

Johnny Depp is one of the few actors who can take a weird character and make it unique each time. Be it Jack Sparrow, Wonka, Edward Scissorhands or any of the others he has portrayed the one thing you cannot deny is that they are memorable and in this case, while quiet annoying at times, his Mad Matter is near perfect. The dual personalities of his quiet demeanour when happy to the gruff Scottish accent he develops when annoyed is a great trait that he brought and it is his character, more than any other, which is most memorable, even above the only other contender the ever childish and easy to anger Red Queen, despite Helena Bonham Carters best efforts. The rest of the acting is fine but neither Crispin Clover as the Knave of Hearts or Hathaway as the White Queen get a lot to work with though the voice acting talent is excellent with Timothy Spall, Barbara Windsor, Alan Rickman, Matt Lucas, Stephen Fry and Michael Sheen all adding character to the creatures.

While far from being a great film, it does hit the right notes in terms of bringing a version of the classic tale to the big screen and, as you would expect, Burton’s vision is decidedly dark which was a nice step away from the cartoonish look of previous versions but it does suffer from feeling the need to cram in action sequences to keep the masses interested, when they are not necessarily needed.

DJ Speaks Rating: 5.5 Out Of 10

Top Cat Begins

Based on the 1960’s Hanna Barbera cartoon about the money driven scam artist cat from Hoagy Alley. This movie is essentially an origin story where we see how the gang got together in the first place along with their initial run ins with Office Dibble and their attempts to break into the territory of Mr.Big who runs the area with an iron fist and doesn’t take kindly to competition. This leads to a misunderstanding with some priceless jewels where Top Cat finds himself wanted by the police and with a large reward on his head where most of the population of the city are looking to cash in as well.

The voice actors are all experienced in the field, the animation is good, it’s full of references to the original cartoon, other movies, modern cultural moments and fourth wall breaks but despite all this Top Cat still feels exactly like what it is, an extended version of the cartoon show and while there is a good mix of comedy with a moralistic tales about friendship which kids will no doubt lap up the running time is a little long for the younger crowd and there’s not enough in it for adults to enjoy either.

It lacks the quality of either The Jungle Book or Zootopia which are both far superior movies for both kids and adults so save this one for a rainy day afternoon of watching movies with the kids at home.

 

DJ Speaks Rating: 4 Out Of 10

Warcraft: The Beginning

Director Duncan Jones previous efforts Moon and Source Code were both clever and underrated movies but this time he takes on the might of the Warcraft name with it’s huge following across both the video and table top gaming platforms and delivers a good if not great game to screen transfer.

Fleeing from their dying world of Drenor the Orcs have chosen the peaceful region of Azeroth for their new home and they utilise a portal which is controlled by the use of magic called The Fel powered by human souls to transfer an advanced party of warriors to wage war on the region and gain enough of a grip to allow the rest of the clan to come through the portal.

Battling to stave off the Orcs is Anduin Lothar (Travis Fimmel) who is a knight that will give all for his King Llane Wrynn (Dominic Cooper) and needs the help of the missing fabled guardian Medivh (Ben Foster) to try and understand how this invasion has occurred and more importantly how to defeat it.

The wild card in the mix is a half-human, half-orc character Garona (Paula Patton) who is brought through the portal by the Orcs as a slave and acts as an advisor of sorts to the Orc leader Gul’dan (Daniel Wu) but gets captured by Lothar and finds herself torn between both sides.

It was the orcs that got the better character building with Durotan, the chieftain of the Frostwolf clan being the most interesting character in the movie. Their society chain and clan ethos were far more interesting than anything on the human side and their presence on screen is the main selling point of this film.

Having not played any of the games there may have been something within the story lost on me but it felt like a poor man’s Lord Of The Rings with good CGI and excellent battle scenes not being able to overcome the poor script and mediocre acting so I would suggest that you catch this in 3D or Imax as I can’t see the small screen version keeping your interest.

Unless the movie absolutely bombs this is going to be the start of a franchise and maybe if we get to invest more time with the characters it will improve the situation but this is a movie which suffers from not having the material to reach the levels of other epic fantasy movies so if they are going to build folklore it’s going to have to be done the hard way as I would be very surprised if this film is a massive box office success.

DJ Speaks Rating: 5 Out Of 10