The Neon Demon

A young model Jesse (Elle Fanning) has moved to Los Angeles to pursue a career as a model and at her first shoot she meets make-up artist Ruby (Jena Malone) who quickly befriends her and introduces Jesse to fellow models Sarah (Abbey Lee) and Gigi (Bella Heathcote) and so begins Jesse’s trip into the strange, unsavoury world of the fashion industry where she meets a wide array of characters but all of which are only ever looking out for number one in a cut throat world in which Jesse must evolve and adapt if she is to survive.

Jesse is the ideal character as pure, untainted and virginal, almost always dressed in white or in innocent floral dresses against the harsh brash outfits of the rest of the cast. She is only barely sixteen and has forged her parental consent form in order to get a contract. She is the epitome of a blank page and that is why she is so intriguing to the designers but it is also why she is the envy of fellow models who were in her place once but no longer have the innocence.

While it all came together in the end there are some scenes which will leave you baffled in the context that they are used, for example there’s a scene where Jesse cuts her hand on glass and Sarah offers to help but, while I won’t outline what she does, her actions, at that time, make no sense at all. Also, there’s a speech from Gigi about cosmetic surgery and perfection which again at the time just sounds egotistic, and it is, but which makes much more sense later in the film and this is the real issue with the movie, there are lots of things going on but it doesn’t always seem relevant until later as things are revealed. While it might be construed as clever if the movie was more fast paced the slow development of the plot means that it was very difficult to stay interested in all aspects of the movie.

There were elements of Black Swan and another movie I watched recently, High Rise with perhaps a bit of a Single White Female throw in for good measure but it never got to the same levels as any of those movies. Both Fanning and Malone were good in their roles but these were the only two characters who felt like they had any depth or development and Malone probably outshined Fanning when on screen, all the other players seemed like place holders and pieces in a puzzle. Christina Hendricks only appears for five minutes and Keanu Reeves, while having a little more involvement was still  a bit of a bit part and both roles could really have been played by anybody so I’m not sure of their purpose other than adding an A-list name to the cast. I will credit the Cliff Martinez almost dream like musical accompaniment worked very well in adding to the surreal feel of the scenes and is one of the best soundtracks I’ve heard in a while.

Although he has a very unusual style, I love director Nicolas Winding Refn’s movie Drive which I thought was a very underrated movie and was superb both visually and from a story telling point of view, but this was missing something in terms of the plot development and pacing so instead of being gripping it seemed like it was designed to shock, and I’m sure in that sense it will shock some. Although it’s listed as a horror movie it’s more a thriller with some disturbing moments and while it’s not a bad movie, it’s just very strange which at times felt like it was a pet project for the director rather than making a movie for his audience.

There’s a line in the movie where Fanning states “Beauty isn’t everything, it’s the only things.” unfortunately, when it comes to movies a great looking movie doesn’t always make a good film but it felt like the type of movie that may be more appreciated after a second viewing as it was quite easy to miss subtle moments on screen which became bigger things so while I can’t see this being a hit with the masses it may become a cult hit.

DJ Speaks Rating: 5 Out Of 10

The Lobster

The Lobster is a black comedy set in a dystopian world where all single people are sent to a hotel where they have forty five days to find a partner otherwise they are transformed into an animal of their choosing to live the rest of their lives. David (Colin Farrell) discovers that his wife has left him for another man so he arrives at the hotel with his brother, a dog, and begins the countdown to finding somebody to spend his life with otherwise he will be turned into the animal of his choice which is a lobster as they have a long life cycle and because of his love for the sea.

The hotel is an awful place full of staged propaganda shows, almost militaristic daily rituals and full of regulations all of which are supposedly designed to enhance the possibility of developing relationships for example masturbation is forbidden and severely punished as a resident known as the lisping man (John C.Reilly) finds out, yet daily sexual stimulation by the maid is part of the routine. There is also a bonus round of sorts where residents go on daily hunts to capture ‘loners’, single people on the run who live in the nearby forest, and can extend their deadline by a day for each person captured.

It soon becomes apparent that finding a partner is not easy as there are expectations around compatibility, and one of David’s ‘friends’ known as the limping man (Ben Whishaw) in the hotel shows just how far people will go to ensure they are not transformed, followed by a series of tests afterwards before they are declared ready for return to society and when David’s time is running out he concocts a plan to find a partner regardless, but things don’t work out quite as expected.

Farrell is superb, in possibly his best performance to date, as David as his delivery of the script sounds almost forced giving the whole situation an almost dream like feel and when coupled with the voice over from Rachel Weisz you begin to wonder if this is an author telling a story or is it somebody recalling a real situation being told in flashback and this uncertainty last for well over half the movie giving it even more of a surreal feel which the tale itself is already doing a very good job of but at the same time the monotone delivery of the narrative seems no different than the conversation on screen so you are constantly unsure of the purpose of the narrator in the story.

I don’t want to give too much away in the review as there is so much which will surprise and shock in equal measures and most of the light hearted moments in a very dark movie are from the unexpected absurdity of how these single people are treated. There’s a performance from Lea Seydoux as the leader of the loners which is so dead pan it makes her appearance in Spectre look full of emotion but in this movie it was perfectly suited.

There is definitely a dig at society and how we are burdened with the expectations of life partners and children while being full of satire that is close enough to the bone to hit home. I enjoyed the movie when I watched it but now, having had a bit of time to digest it I think that this is one of the best movies I have seen in a number of years, it’s slow moving yet doesn’t drag as there’s always something happening, there’s unnecessary use of slo-mo but it sits perfectly with the strangeness of the situation and the fact that only the lead character is ever named adds to the eerie feel of the film. If you are looking for some quick entertaining then don’t try this movie but I can only give it a high recommendation as it’s a superb movie which really gets you thinking long after the credits have rolled.

DJ Speaks Rating: 7.5 Out Of 10

Love And Friendship

Set in the 1790’s and based on the Jane Austen novella Lady Susan, Love And Friendship stars Kate Beckensdale as Lady Susan Vernon a recently widowed woman who is looking to find a suitable husband for her daughter Frederica (Morfydd Clark) while keeping her eyes peeled for another suitor for her own needs. Susan is a schemer at heart and decides the best course of action would be to team her daughter, that she doesn’t really seem to care about, with Sir James Martin (Tom Bennett) who swings from idiotic to irritating in equal measure all the while trying to get her claws into Reginald DeCourcy (Xavier Samuel) whom she meets while visiting her in laws, the Vernons, at their estate. But while he does not show an interest in her romantically, he is unable to hide his fascination at her brazen demeanor as Susan is scathing in her treatment of people as she often belittles them while speaking to another character even though they are standing right there in the room and her reaction when they point this fact out is just as cutting. Other characters and sub plots come and go but this movie is all about Beckensdale and her confidant in arms American, Alicia Johnson (Chloe Sevigny) as she tries her manipulation tactics on each player accordingly.

Becksendale plays the role perfectly giving the ideal balance of acting like a lady when front and center while being anything but behind the scenes and she is ably assisted by Sevigny as their relationship has a feel of giggling schoolgirls as they plot and plan behind peoples backs, delighted as each piece falls into place and while the end may not be quite what Lady Susan had in mind, she does end up with a victory….of sorts.

It’s a people watching movie which, while not mentioned as such, is told through a number of acts and most of the fun in the movie is watching the reaction of other characters to the principal player in a scene as their facial expressions are often hilarious as other players bumble their way through situations and the developing plots which slowly become intertwined. While lacking the depth of story line as other Austin adaptations it’s still worthy of a few laughs but is kept moving by Becksensdale’s portrayal.

DJ Speaks Rating: 5.5 out Of 10

The Legend Of Tarzan

Beginning with some back story about the division of the Congo to the colonial powers in the latter part of the 19th century and King Leopold of Belgium’s attempts to extract the rich natural resources, in particular diamonds, from the land but after his initial attempts prove unfruitful he decides to send his envoy Leon Rom (Christoph Waltz) to take control of proceedings but when his exposition is wiped out a local tribal leader, Mbonga (Djimon Hounsou), exchanges his life and the diamonds for the presentation of Tarzan in front of the chief as they have unfinished historical business.

Tarzan (Alexander Skarsgard)  is living in England as John Clayton III or Lord Greystoke with his wife Jane porter (Margot Robbie) and his is invited by the Belgian king to visit the city of Boma in the Congo to act as an intermediary in the colonization of the area given that it was where he was born and raised. (I won’t go into the back story of his childhood, we all know it) He refuses but is convinced by George Washington Williams (Samuel L. Jackson), a consort from America to travel as he suspect that the Belgium King is using the local population as slaves, so begins the adventure when Tarzan must face Mbonga, save the locals, his wife and the creatures of the jungle from the evils of the Belgians and the unscrupulous Rom with a little help from Williams and some other, old friends along the way.

It’s an old story receiving a modern twist but the problem is that, despite the modernisation there’s nothing new. It’s a dated tale, told in older, very different times which does not really work in the modern era of movies. Tarzan and his friends are good, the Belgians are bad. Waltz plays a good villain, Robbie plays a tough, spirited damsel in distress, Jackson has the funny quips when needed and Hollywood still struggles with bringing racial stereotyping into the modern era. It felt that the only reason Jackson was even in the movie was to avoid the backlash the movie would have received otherwise. Swap Tarzan and the jungle for Spiderman and the streets of New York and we’ve seen the impressive swinging before. The CGI and interaction with the animals was good but was done better by the recent Jungle Book movie but some of the green screen scenes were unbelievably bad and I’m really struggling to find anything unique about the movie.

It’s not a bad film by any means and it’s two hours or so of decent entertainment so keep your expectations low and you’ll be okay but is it wrong that I kept wanting to shout out “Here come the Belgians” in a Stuart Hall, International Knock Out style all the way through the movie?

DJ Speaks Rating: 5 Out of 10

Ice Age: Collision Course

Collision course begins with the acorn chasing squirrel Scrat inadvertently setting off a chain of events leading into the creation of the universe, which I couldn’t understand as how could the animal already exist if he was only creating the universe? but I digress, so he also inadvertently creates a bunch of asteroids, one of which looks set to cause the destruction of all life on the planet. In order to save themselves all our returning heroes once again must set out on an adventure to escape from the impending doom.

I have seen the first two movies but missed out on parts three and four and from what I can remember, the first two felt like an adventure while this left like a journey to find yourself against the backdrop of the apocalypse. Mammoth Manny (Ray Romano) has forgotten his anniversary and his wife Ellie (Queen Latifah) is not best pleased also their daughter Peaches (Keke Palmer) who is infatuated with her beau Julian (Adam DeVine) is talking about leaving home and Manny is afraid of both losing his daughter and the fact that Julian is not going to look after her correctly. Sabre-toothed tiger Diego (Denis Leary) and his partner Shira (Jennifer Lopez) are talking about the possibility of starting a family but the young of all other animals seem to fear them. Sid the sloth (John Leguizamo) is, as always looking for love in all the wrong places and the one eyed weasel Buck (Simon Pegg) returns as the voice of exposition on their journey.

Anyway the herd must head off on an exploration mission to find out what is drawing this asteroid towards earth and have many moments and mishaps along the way but which rarely raises the excitement levels eventually reaching an area called Geotopia, an exotic new land with a host of colourful new characters which has a large part to play in the ongoing disaster so the friends must join together to overcome the odds and save the day.

It’s hard to critise movies which are essentially made for kids but when done right they can entertain both kids and adults. Unfortunately, while this movie looks great and has more than enough to keep kids happy there seemed to be a lot of characters who were only there to keep the continuity of the franchise going and beneath the themes of maturing as a person and staying loyal to your friends, there wasn’t a lot going on. They did try to throw in some jokes for the grown-ups, but with the odd exception, such as a Pythagoras joke which I laughed at, they just weren’t that good but it won’t stop the next episode appearing in a few years so hopefully they can get back to the fun entertainment of the original.

DJ Speaks Rating: 4.5 Out Of 10

Absolutely Fabulous: The Movie

Just as we remember from the TV show sponger Patsy Stone (Joanna Lumley) and her publicist best friend Edina Monsoon (Jennifer Saunders) are bumbling their way from glitzy get together to another still somehow in the limelight despite their obvious ineptitude. Eddy is now pushing sixty and has scarcely changed since she first appeared twenty something years ago except that she seems to have grown wider but as Patsy advises her waving dismissively at the image, “You don’t need those Eddy as I will be your mirror”. “How do I look then Pats?” “Fabulous.” but Eddy is not doing so well as the cash is drying up and when her memoirs are rejected by a publishing house things look grim until such time as she finds out the Kate Mass is changing her agent and so begins a desperate chase to ensure that Kate chooses her in order to safe guard the future of her company.

Unfortunately she is not the only one with these ideas and when, after a very funny encounter between Patsy and John Hamm, Eddy gets her moment she accidentally knocks Kate into the Thames where she is pronounced dead after a long search proves unfruitful. Pats an Eddy decide to escape the public backlash and go on the run to the South of France where they begin scheming on how to make themselves rich and set themselves up in the high life out of the public eye only to find out that the jet set lifestyle is not quite as glamorous as they thought. Needless to say it wouldn’t be true to character if they took it lying down so they will so whatever it takes to infiltrate the echelons of the rich and famous.

All the regulars are back with barmy PA Bubbles (jane Horrocks), Edina’s exasperated and completely square daughter Saffron (Julia Sawalha) and an introduction to her hipper granddaughter Lola (Indeyarna Donaldson-Holness) who Eddy and Patsy drag along to France because they believe she is due a large inheritance, along with a host of cameos of varying degrees from stars of the fashion, film and TV industries.

If you liked the TV show then there is more than enough here that you will enjoy and there are some genuinely funny moments, the issue is it just felt like an hour and a half Christmas special in the vein of the Only Fools And Horses classics so there was no actual need for the movie and the story would probably have worked better on the small screen anyway but this is my only real gripe among the ninety minutes of fun.

DJ Speaks Rating: 5.5 Out Of 10

Now You See Me 2

I enjoyed the first movie as decent entertainment if you could leave your sense of disbelief at some of the plot holes aside so I was quite hopeful for this sequel. This time the movie begins with Mark Ruffalo’s character, FBI agent (Dylan Rhodes) as a youngster at the scene of the act which killed his father, magician Lionel Shrike (Richard Laing) along with magic debunker Thaddeus Bradley (Morgan Freeman) who was televising the moment. We then cut forward to present day where The Horseman Daniel Atlas (Jesse Eisenberg), Jack Wilder (Dave Franco) and Merritt McKinney (Woody Harrelson) have been living underground since disappearing after the events of the first movie but are brought together again by the secret magical society, The Eye, in order to perform a magic act at a product launch of major corporation Octa run by Owen Case (Ben Lamb) in order to expose his product for the privacy invading software that it is, since he has not divulged the fact to consumers. This time around Henley Reeves (Isla Fisher) has left their company (for a reason that is never really explained) so a new Horseman is introduced in Lula May (Lizzy Caplan). During the course of the act The Horsemen are themselves hijacked by an unknown person and while making their escape from a rooftop they jump down a construction chute and end up in Macau where they are brought before Walter Mabry (Daniel Radcliffe) the ex-partner of Owen Case who is supposedly dead but who wants the software that Octa were going to launch. Still with me? Good. I won’t divulge any more regarding the story as twist after twist occurs and The Horseman have to work with Radcliffe while Ruffalo is being harassed by Freeman from jail who is still looking for revenge after the events of the first movie and it all comes together to a showdown in London on New Year’s Eve.

Unlike the first movie which focused on the development of the Horseman as a team and gave some character building moments between the players this time there is not a lot of new material brought to the table. Radcliffe was a good addition as the almost childlike Mabry character who’s need to be the cleverest person in the room was entertaining but there is an introduction of a twin for one of the characters which I thought was just ridiculous and there’s a re-appearance by Michael Caine as Arthur Tressler which only felt like an excuse to put Caine’s name on the cast list, otherwise it’s a case of Now You’ve Seen Me already as there’s not a lot of freshness in the movie.

The one redeeming feature which saved the movie from potential disaster was the focus on Ruffalo’s character as his arc was excellent, showing his purpose behind his decision making and staying with it as the events play out. He’s one of the better actors of this era and he shows it again here despite the weak movie around him.

Again there’s plenty of smoke, mirrors, misdirection and magic acts some of which are explained and then others not, if you enjoyed the first movie then you will find this entertaining enough but it’s enhanced by a very good performance by Ruffalo as the other seem to be painting by numbers and needless to say it’s been left wide open for a third movie which, unless they come up with something a bit more magical, then this franchise should do a vanishing act.

DJ Speaks Rating: 5 Out Of 10

The Funhouse Massacre

A newly opening haunted house attraction is taken over by real life lunatics in a classic throwback to the 1980’s horror movie genre. Opening with a scene in an asylum where the warden (Robert Englund) is giving an interview to journalist Ms.Quinn (Candice DeVisser) on Halloween night however the interview takes a turn for the worse when she turns out to be Dollface, the daughter of detainee Mental Manny (Jere Burns), a Jim Jones type cult leader, and she goes on a rampage killing all and sundry in order to free Manny and some other prisoners, Animal the Cannibal (E.E.Bell), Dr.Suave (Sebastian Siegel), the Taxidermist (Clint Howard) and Rocco the Clown (Mars Crain).  In the meantime a group of local youngsters are heading for the opening night of the Macon County Funhouse but little do they, or the other revelers, know that the scenes inside are no longer just for laughs as each of the maniacs has set up stall and is running their own version of a real horror scene. It’s all been done before and the cliches come thick and fast but the good thing about this movie is that it never tries to take itself seriously. It knows that the premise is dumb, it knows that it’s characters are tick boxes right down to the gutsy sheriff and goofy sidekick but it is this stance which gives the movie a great homage feel. Director Andy Palmer and writers Ben Begley and Renee Dorian all show that they are fans of the genre but don’t be fooled as, while some of the comedic moments are slapstick there is enough realistic gore, thanks to effects guru, Robert Kurtzman, to allow the movie hold its own. For a small budget movie it puts many of the recent Hollywood attempts at horror to shame and I can see this one becoming a cult hit in years to come.

DJ Speaks Rating: 5.5 Out Of 10

Whiskey Tango Foxtrot

Tired with a career as TV journalist and a relationship with her boyfriend Chris (Josh Charles) both of which seem to be stuck in a divot, Kim Barker (Tina Fey) is convinced to take a brief assignment as a war correspondent in Afghanistan to cover the ongoing US campaign. Arriving as a complete fish out of water much to the ire of her Afghan aid Fahim (Christopher Abbott), security guard Nic (Steve Peacocke) and particularly Marine General Hollanek (Billy Bob Thornton) who view her as a nuisance however, she is nothing if not tenacious and with some help from fellow reporter Tanya Vanderpoel (Margot Robbie) and freelance photographer (Martin Freeman) she begins to feel more at home and is soon making friends on both sides of the divide.

We all know Tina Fey does comedy well however I have yet to be convinced of her dramatic roles and this is where this movie hits problems. When the comedy is flowing it’s a good time look at the behind the scenes in a war zone however when things take a turn to the more serious aspects of the story it just feels like the movie is dragging. While Fey, Robbie and Freeman bring a good chemistry to screen her interactions with Afghan government head Ali Massoud Sadiq (Alfred Molina) who’s overtly sexual advances towards Fey were borderline offensive, was a real low point for me as it felt wholly unnecessary.

There are some good moments within the story such as Fey using her stance as a woman to her advantage despite being in a society which gives women very few rights and an all too brief look at the impact the situation may have emotionally on a person as they become war fatigued spending so long in a battle zone and maybe more of this plot line would have made for a better movie instead of constantly going back looking for comic value in most situations which left the film feeling like it wanted to be taken seriously despite not following suit itself. It’s not a bad movie by any means but there are too many flaws within to make it anything more than average.

DJ Speaks Rating: 5 Out Of 10

A Million Ways To Die In The West

Seth MacFarlane stars as Albert Stark who is dumped by his girlfriend Louise (Amanda Seyfried) as he is a coward who will not participate in a gunfight. As he is in the saloon contemplating moving from the town of Old Stump, Arizona to San Francisco ,away from what he considers the horrors of the frontier, he saves a woman Anna (Charlize Theron) from death during a brawl however unknown to him this woman is the wife of outlaw Clinch Leatherwood (Liam Neeson) so as their friendship develops her secret puts him obviously closer to the dangers he is so keen to escape from.

MacFarlanes second effort on the big screen after Ted is a disappointment in comparison however I still enjoyed it more than his subsequent effort Ted 2, if you can look beyond the obvious flaws the movie has in a poor script and some poorly developed characters, including MacFarlanes. It is only Neil Patrick Harris who is excellent as Foy, Louise’s new beau who along with his moustache preens his way through the movie in one scene stealing performance after another and Theron who feels like she is not actually acting which works a treat, as the scenes with just her an MacFarlane feel like two people having a bit of a laugh instead of acting a scene, who have any real presence on the screen and are central to most of the better moments in the film.

There are so many little meta moments and fourth wall breaks that I laughed aloud quite a few times but in saying that there are too many repeatable jokes and the movie is way too long to keep things interesting. Still feel there is a good base for a western comedy somewhere among the mess and with a little more thought it could have been a lot better.

DJ Speaks Rating: 4.5 Out Of 10