Friend Request

Alycia Debnam-Carey stars as Laura, a popular psychology student with lots of friend on social media who takes pity an introvert, strange, loner girl in her class, Marina (Liesl Ahlers) who is almost her polar opposite and accepts her friend request on Facebook. Marina takes this friendship acceptance to the extreme and becomes very stalkerish which leads to an encounter where Laura lies to Marina about her plans for her birthday, but this rather stupid lie, since she then posts photos all over Facebook, leads to Marina confronting Laura and becoming even more scarily clingy so Laura decides to unfriend her. That night Marina commits suicide and posts it online for all to see. It is then that things take a turn for the either weirder as Laura begins to gets messages and becomes re-friended by somebody acting as Marina.

Very similar to another movie I recently watched and reviewed ‘Unfriended’, Friend Request is a tick box of horror clichés with dream sequences, disbelieving policeman, friends being killed, jump scares and silly plot threads appearing by the numbers and while there were one of two decent jump scares they didn’t do enough to hide the weak script which tried to, unsuccessfully, link the whole tale into witchcraft rituals followed by a the section where Laura tries to work out the history behind Marina which transfers the movie into a rip off of The Ring and from then on the whole thing has a very Japanese horror vibe.

Ahlers does a decent job as the disturbed girl but the rest of the friends were another bunch of by the number horror fodder, Lauras friend and Freddie Prinze, Jr. lookalike Kobe (Connor Paolo) came across as just as weird as Marina yet that raised no eyebrows at all and there is a small twist towards the end which, while I can understand the characters actions, made little sense in context with the rest of the movie.

Overall it’s a by the number modern horror with all the suspense sucked out of the movie by the poor plot and overuse of attempted jump scares. Perhaps if it has been sold as some form of satirical twist on the dangers of social media and used the friendship in a Single White Female type of tale there may have been something good to work with but as it appears, even for fans of the genre, it’s not something I can recommend.

DJ Speaks Rating: 4 Out Of 10

Green Room

The Ain’t Rights are a struggling punk rock band made up of singer Tiger (Callum Turner), bassist Pat (Anton Yelchin), guitarist Sam (Alia Shawkat) and drummer Reece (Joe Cole) who are living out of their van, which they siphon petrol for and live on favours and handouts so they take a gig from a friend of a friend in middle of nowhere roadhouse type venue populated by Skinheads and some white supremacists. True to their roots they antagonise the crowd with a rendition of the Dead Kennedys Nazi Punks F*ck Off and this peaks the tension all the way up to nine. Once they get through the set they want to beat a hasty retreat and are on the way out when they come across a situation where one of the supremacists has killed a young girl and together with the girls best friend Amber (Imogen Poots) they are locked up backstage until the situation can be sorted, and of course by sorted it’s in a ‘leave no witnesses alive’ way.

With nods to John Carpenters Assault on Precinct 13 and Sam Peckinpahs Straw Dogs, Green Room pulls no punches. The action is intense and bloody, the violence levels are extreme and it’s all played out to a soundtrack of loud, thrash metal and punk. As the situation escalates so do the extremes that the band needs to go to survive and it is this build from relative innocent musicians to killers which is the best facet in the movie as it shows just how some people are more than willing, some less so but all are emotionally tested in different ways and react to varying disturbing levels.

There is not much time given to the back story of the band members or the skinhead group but standing out are both Poots who is an apathetic badass and Patrick Stewart as Darcy, the owner of the establishment and leader of the group who play against type as cold, meticulous and evil but all done without barely a raised voice so it’s makes the performance even more chilling.

On the downside the final third of the movie is a little weaker, almost as if they were struggling to find a suitable ending but while it does diffuse the tension and mayhem of the earlier part of the movie a little it does not detract from what is a very enjoyable thriller excellently done on a reasonably small budget by director Jeremy Saulnier and as a whole the film is well worth a look. If it’s any indication of what this movie is all about, I can only say that it’s the first time in a long while where I have been in the cinema and one scene in particular gained a collective and very audible wince from the audience.

DJ Speaks Rating: 6.5 Out Of 10

Hush

Hush is a home invasion thriller starring Kate Siegel as Maddie, a deaf mute writer who lives in seclusion in a house in the woods where her main contact with the outside world are visits by her nearest neighbour Sarah (Samantha Sloyan) and conversations via social media outlets on her phone and laptop.

A masked stranger (John Gallagher Jr.) appears outside of Maddies house one night and becomes intrigued by the lack of response he receives when knocking on the doors and windows. After sneaking into her home and stealing her phone he starts to send pictures of herself to Maddie and she slowly begins to realise what is going on but the power is cut and her car sabotaged so she is stranded in the house with the masked man just waiting outside armed with a knife and a crossbow. Although similar movies have recently been made in the past (The Strangers & You’re next come to mind) the lack of dialogue and sound, when we are looking at things from the protagonists point of view, makes for an intriguing premise in impossibly trying to defend a house using only vision when there are so many missing lines of site for most area of the house at any one time.  Director Mike Flanagan has plenty of experience in the horror genre and he sets up the stranger very well by not giving any reasoning for his stance or even naming him which dehumanises him and gives a better maniacal feel to his actions while but Gallagher and Siegel both do a good job as the stalker who goes about his business with emotionless ease and the prey that gives as good as she gets respectively.

It is not going to set the world on fire but as thrillers so its a good movie that only now and then falls back into the tropes of it’s genre which gives it a certain novelty.

DJ Speaks Rating: 6 Out Of 10

Green Inferno

Justine (Lorenzo Izzo) is a college student who becomes interested in a local activist group who are planning to travel to Peru to protest against the deforestation in the area which is displacing ancient tribes still living in these areas. Group leader Alejandro (Ariel Levy) decides that Justine would be useful to bring along but not because of her views, she just so happens to have a father who is a diplomat in the UN.

While their initial protest is reasonable successful, on their return home their plane suffers engine problems and crash lands deep in the jungle where the survivors are captured by a local tribe. Back at the village they are herded into a crude cell and watch horrifically as one of their group is devoured by what they now realise are cannibals so it becomes a fight for their lives against this tribe that have been untouched humans or any technology.

Director Eli Roths is no stranger to graphic horror films and is a leading light in the ‘torture horror’ genre so this tribute to the Italian horror movies of the late 70’s/early 80’s (particularly Cannibal Holocaust one of the very first found footage movies) is right down that alley. Very reminiscent of one of Roths other movies, Hostel, in terms of a gang of Americans are thrown into a despicable situation from which they need to survive by letting go of their ideals and morals and starting to act and think like their captors. There’s death and gore galore and if you’re easily shocked then you’ll probably be horrified by some of the scenes which are both over the top and graphic.

I can only assume the director felt that he was making some form of social commentary on the assumption that modern civilisation whose idealism of assistance is driven through the internet is oblivious to the actual plight and way of living of these ancient, uncivilised tribes. There’s plenty or irony here as well with activists ending up being devoured by the people they are trying to save in the first place and he main character Justine, who is being motivated by a class she attended which spoke of the genital mutilation which still occurs on women across the world, ends up in that very same situation but this irony doesn’t really improve what it a weak script with no acting stand out and I had no empathy towards any of the characters so their deaths had no impact on me. At least the movie had the decency to not go down the road of including jump scares which are all the rage at the moment so some credit is deserved for that.

If you’re a fan of this genre or just like horror movie is general then it’s watchable but far from a classic, if you didn’t like Roths other movies then you most likely won’t like this either.

DJ Speaks Rating: 4.5 Out Of 10

The Man Who Knew Infinity

Dev Patel stars as Srinivasa Ramanujan a self taught, Indian mathematician who’s work in the field of number theory during the era around World War I resulted in the discovery of a number of new ideas in the area of mathematics. This movie is the tale of his initially attempt to get his ideas discovered, his trip to England to work with theorist GH Hardy (Jeremy Irons) and the struggle both men faced to have Ramanujan ideas accepted.

Very similar in parts to both The Imitation Game and A Beautiful Mind but without the lead actor to drive the movie. Patel does a decent job as the overawed young man being dropped in at the deep end but there is only so much to be gained from shots of him running with his new ideas on paper and this role lacks the heart of the performance he showed in Slumdog Millionaire while his relationship with his wife Janaki (Devika Bhise) never has the impact that the situation should have brought to the screen. It is Irons who stands out and his dry humour will have you chuckling while his characters development from doubting teacher to partner and friend is the best, and most believable, part of the movie with Toby Jones turn as John Edensor Littlewood also worth a mention, even if his part is a lot smaller.

It’s a typical tale of the new kid in town, initially ostracised by most who eventually wins people over against the odds and credit must be given to the fact that they didn’t try and dumb down the movie by trying to use exposition to explain the theories and by actually filming in and around the college the atmosphere of the movie feels in keeping with the time. It is just a case that for every scene which works there are many others that don’t and the really clever ones such as the exchange by Hardy and Ramanujan about the special fact that cab number 1729 is a very special cab because it is the smallest possible number that is expressible as the sum of two cubes in two different ways. (I’m taking their word for it) are lost among the rest of the film so it feels like there was a lot of potential with the story of Ramanujans obvious genius that was left unexplored thus the film fails to elevate itself above the many other fish out of water tales which have preceded this one.

DJ Speaks Rating: 5.5 Out Of 10

Spy

After working together on both Bridesmaids and The Heat director Paul Feig and Melissa McCarthy are back with this tale of Susan Cooper, a desk bound CIA analyst who acts as the eyes and ears for field agent Bradley Fine (Jude Law) and their teamwork has elevated Fine to the top of his field as a world renound suave, confident, super spy. Behind it all Fine is totally oblivious to Coopers obvious infatuation with him which is exactly what is keeping her from progressing her career. It is during one other these missions where Fine is infiltrating the home of Rayna Boyanov (Rose Byrne), as he believes she is forming links with a terrorist broker Sergio De Luca (Bobby Cannavale), that Rayna kills Fine so Coopers boss decides to send her to Europe to track Rayna to see what her plans are and with some help from Fines colleague Rick Ford (Jason Statham) and a touchy feely European field agent Aldo (Peter Sarafinowicz), Cooper gets on the case.

Byrne is excellent in an over the top performance as a spoilt brat with a constant demeanour of distain towards everyone who take downs cut to the bone and Statham is hilarious as the yarn spinning spy who constantly feels a need to comment on his (obviously exaggerated) feats like “During the threat of an assassination attempt I appeared, convincingly, in front of Congress as Barack Obama”.

Through the movie the comedy is excellent, particular when McCarthy is doing what she does best in spouting out insult after insult with the scene where she tears pieces out of Raynas aide Anton being particularly funny and it is McCarthys over the top interaction with Byrne and Statham in particular which give the movie it’s best moments. It feels like everyone enjoyed themselves on screen and Feig does a good job of the turning the usual macho chauvinistic elements of the spy movies on their head.

Overall the movie pieces together very well and I enjoyed it more than I thought it would, it’s a good spin on the James Bond theme but one with a plot line that actually works within the confines of the humour which leads the film into being one of the better comedy movies of recent years but it’s very much all about McCarthy so if she is not your thing then steer clear.

DJ Speaks Rating: 6 Out Of 10

Unfriended

Unfriended is an interesting concept, told in real time and based around the internet conversations and actions of a group of friends. The problem is that, while most of us use apps, chat boxes and video clips every day we don’t sit watching other people use them and this is where the issue begins as, while the plot may be novel, it’s not very interesting in theory.

The premise is based around the death of Laura, a girl who this group of friends all knew. Laura took her own life after a video of some embarrassing drunken antics is posted online in a poor show of extreme cyber bullying so during an online conversation between these friends they get an uninvited guest who they just can’t seem to get rid of, also this person seems to know an awful lot about them and their interactions with Laura and also seems to have control over their computers.

With echoes of I Know What You Did Last Summer, it then becomes a game of trying to find out who is sending the more and more aggressively threatening messages until it reaches a point where one of the group kills themselves (or is killed) during the course of their online conversation. Once this occurs the survivors realise that this game iis real but unfortunately it’s a game who’s consequences are always shown after the fact rather than letting you see the horror occur as it’s a case of build up, build up, cut, dead body, which is disappointing.

Credit must be given for some of the tension that is built, as you are waiting on the inevitable cliche jump scare to occur but since the movie is told through mostly webcam images you start to look behind the webcam shots of the characters for some background indication of what is going to occur next and the game of ‘Never Have I Ever’ excellently brings out the darker side of each character and shows exactly what kind of people these really are.

Unfriended is a horror story with a moral message is just too dull in parts to elevate it into memorable status but it has opened a door which I’m sure will be opened many times again in this genre in the near future

DJ Speaks Rating: 4 Out Of 10

The Host

Earth has been taken over by aliens who have inhabited most of the population of the planet and act as souls for humans which means that all emotion has been stripped back and there is no war, no conflict and no anger so the whole planet lives in a state of peace.

The protagonist is Melanie Stryder (Saoirse Ronan) who, through a weird twist of fate, is inhabited by one such host but still retains her human memories and emotions and thus can communicate with the host.

Given that it was based on a book by Stephane Meyer who also wrote the Twilight series I expected a teenage romance film based with aliens rather then vampires and to an extent this is true but it is elevated by yet another excellent performance by Ronan as the alien who finds its human side and as the human battling to stay alive in the alien body and her performance makes the torment of her character totally believable. Ronan is ably assisted by Diane Kruger as The Seeker who is like a chief of police for the aliens and it is her job to track down the remaining human survivors which she does with an unwavering purpose.

These survivors live underground in New Mexico in a community run by Jeb (William Hurt) who has developed a livable eco-system in an extinct volcano and just so happens to be related to Melanie so she knows exactly where the survivors are hiding and is torn between trusting her increasingly empathetic host and bringing her body back to her family or trying to suppress her emotions, which she is finding increasingly difficult, to preserve the safety of the survivors.

Rather than taking the premise to higher levels the movie feels like an extended Twilight Zone episode in that it’s taking itself too seriously without the script to back it up and unfortunately it reverts to the alien falls in love with generic male teen #1 while human emotions are still in love with male teen #2 (yet strangely neither of them seem bothered by this) as the central plot line.

It’s better then the Twilight movies, but not by much, and if you like your science fiction there a decent concept underneath the love triangle, although essentially it’s a re-hash of the Invasion Of The Body Snatchers premise and without the efforts of Ronan and Kruger there’s wouldn’t be a lot to recommend.

DJ speaks Rating: 4.5 Out Of 10

The Fan

Indian thriller movie, starring the king of Bollywood (Shah Rukh Khan) in a dual role about Gaurav Chandna who is a look alike and die-hard fan of Aryan Khanna (both played by Shah Rukh Khan). So when Gaurav wins local popidol type contest he used the cash prize to go on an expedition to meet his idol. Unfortunately upon arrival at his idols house he realises that he is just another fan in the thousands that gather around Aryans home so when he sees one of Aryans rivals, Sid Kapoor, speak out in the media he decides to get his idols attention by gate crashing his way into Sids film shoot, ties him up and forces him to apologies to Aryan, this video goes viral and a horrified Aryan has Gaurav quietly arrested where he berates him for his actions and sends Gaurav home with his tail between his legs. However, Gaurav does not take this lightly and goes home to plot his revenge against the man that he has spent his life imitating and idolising so the movie then becomes a jet setting ride of Gaurav prodding deeper and deeper into Ayrans professional and personal life in increasingly disturbing levels of volume which begins to unhinge Aryans life both on and off screen which in turn leads Ayran to take measures into his own hands and fight right back.

It’s my first step into Bollywood movies so I do not have a lot to refer this film against but I found myself looking past the subtitles and slightly overlong running time and enjoyed the excellent dual acting of the star, some very good choreography during the fight and chase scenes and the cautionary tale of whether the man makes the fan or does the fan make the man comes across very well.

DJ Speaks Rating: 5.5 Out Of 10

The Finest Hours

The story of the real like 1952 rescue of the sailors on the SS Pendleton which is split in half by a huge storm and the front section along with all commanding officers and most communication methodology is lost but the survivors manage to delay the sinking of the rear half by steering the wreck onto a nearby reef which buys them some time so when word gets to the coast guard it’s a race to save these men before the rising water overwhelms the remainder of the ship.

The action is decent and some of the battles against the huge waves look good, with one of two exceptions, but it all reminded me of the 2000 movie The Perfect Storm yet it doesn’t get you as emotionally engrossed as the characters are very under played.

Eric Bana as Chief Warrant Officer Daniel Cluff is a fish out of water as the ranking official who doesn’t know the area of the hazards but we never really find out how this came to be and he is viewed as sending the men to their death on what is deemed a suicidal mission. Chris Pine as Bernie Webber is our central point and Pine does an okay job in portraying a shy and nervous character but his relationship with his soon to be wife Miriam (Holliday Grainger) just doesn’t invoke enough feeling to make you invest in the story but it was nice to see Pine show something a little different that his usual typecast. Most of the others cast come across as filler and it is only Casey Affleck as Ray Sybert who struggles to keep the survivors on the boat working together to keep themselves alive that shows any real semblance of character change and is given any semblance of character depth.

Perhaps if another film studio rather than Disney had made the movie it could have taken a bit of a darker tone and thus been a bit less ‘safe’ but instead the true peril of this heroic tale, of which I did not know about before I watched the film, never really comes across on screen so what should have been a heart-warming true life tale of heroism against terrible odds ends up feeling like another run of the mill rescue movie.

DJ Speaks Rating: 4.5 Out Of 10